Prong - Ruining Lives
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Published April 15 2014
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*=Staff's pick
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Turnover*
The Barriers
Windows Shut*
Remove, Separate Self*
Ruining Lives
Absence Of Light
The Book Of Change
Self Will Run Riot
Come To Realize
Chamber Of Thought
Limitations And Validations*
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Genre |
Hardcore/Alt. Metal/Punk Thrash |
Tommy Victor
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Vocals
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Tracks |
11 |
Tommy Victor
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Guitar
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Running time |
42 Min. |
-
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Guitar
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Label |
Steamhammer/SPV |
Tony Campos
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Bass
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Release |
23 April 2014 |
Alexei Rodriguez
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Drums
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Country |
USA |
-
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Keyboard
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Producer |
Tommy Victor/Steve Evetts |
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Similar artists |
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Before I decided to put my hands on this record, it was
a long time ago since I heard something of the long running metallers
Prong's music and I don't even remember what my thoughts were back then.
With this release I hear things that include all kinds of elements such
as hardcore attacks, alternative metal and also bits of some sort of
punk thrash and I'm really not able to put a proper and decisive label
to this effort.
Something about this record instantly captures me. It's
indeed fiery and it sounds pretty youthful and fresh and also pretty
direct without detours. As far as I'm concerned, it's definitely not
a completely new chapter in the history of metal music and each song
really doesn't possess a massive own identity, as most musicians like
to point out. Yet there's a momentum in the disc's overall material
that keeps me focused all throughout. I see it entirely as a vivid breeze
with a stunning ongoing spirit, although the first half holds the majority
of the most captivating colorful thrusts and attractive moments.
Swinging riffs with an eager and burning spirit and, the
way I see it, a pleasant drum sound controls this record together with
Tommy Victor's suitable vocal performance. Without being negative, it's
feels like it's pretty safe to say that most of this record lands in
some kind of comfort zone, yet comprising certain variation with faster
parts and also partially softer material. This discharging missile might
feel slightly repetitive when solely looking at the totality, but somehow
still made in a way that engages my emotions and attracts my senses.
This was truly a huge surprise to me and this experience
will probably be played at my home rather frequently from this point
and forward. I almost didn't check out this piece, but I'm glad that
I did. The worst part is that I'm now in a position where I decidedly
have to run through the band's back catalogue to see what might be lurking
in the realms of the veterans' past efforts.
See
also review of: Zero Days
, X
- No Absolutes
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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