Death Angel - The Dream Calls For Blood
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Published September 28 2013
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*=Staff's pick
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Left For Dead*
Son Of The Morning
Fallen
The Dream Calls For Blood
Succubus*
Execution - Don't Save Me*
Caster Of Shame
Detonate
Empty
Territorial Instinct/Bloodlust*
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Genre |
Thrash Metal |
Mark Osegueda
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Vocals
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Tracks |
10 |
Rob Cavestany
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Guitar
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Running time |
47 Min. |
Ted Aguilar
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Guitar
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Label |
Nuclear
Blast |
Damien Sisson
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Bass
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Release |
09 October 2013 |
Will Carroll
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Drums
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Country |
USA |
-
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Keyboard
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Producer |
Jason Suecof, Rob Cavestany |
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Similar artists |
Exodus, Hirax |
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Bay Area veteran thrashers Death Angel's 7th studio effort
takes off where the latest release, 2010's Relentless Retribution left.
This unit has passed through rocky roads along its existence and never
had that big break and great success that a few of its equals were privileged
to have. This release also marks both bassplayer Damien Sisson's and
drummer Will Carroll's second effort with the band and perhaps this
lineup will stay solid through thick and thin.
The Dream Calls For Blood is a statement to today's thrash
scene and a rather typical Death Angel album where the band stays true
to its hammering sound. It's filled to the brim with whipping fury and
numerous crushing riffs. Intense, aggressive and explosive to a point
where mellowness is not an option. With a frequent full throttle, a
dismounted brake pedal and an endless amount of fuel, they keep themselves
in an upright position and on attack all throughout this record that
really contains no low points.
Although the absolute top levels aren't reached on a constant
basis, they wash away all doubters, as they tear themselves apart to
create a solid thrash metal assault. With Rob Cavestany writing all
songs and with his involvement in the production, the guitars, with
leads and cool plays in between the verses, naturally wind up in the
center of attention, together with lead singer Mark Osegueda, whose
angry, raw and direct appearance sets a brand of determination on this
release as well.
The production functions as a chain between a classic
sound deriving from the eighties and new elements of today's engineering
and I like what I hear. Significant variation isn't this band's trademark
and if you can't stand a record that definitely doesn't span over an
endless ocean of musical directions, this release won't be your first
choice. This is something that indeed stays fixed within its own genre
without intentions to build new bridges.
See
also review of: A
Thrashumentary , Relentless
Retribution , Killing
Season
See also: interview
with Rob Cavestany
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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