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The Danish long-running outfit Pretty Maids' records have
more or less always contained a mix of The record takes off exquisitely with When God Took A Day Off and the title track, but then loses just a little bit of its momentum with a couple of songs that don't have quite the same stunning effect that the openers had. Those songs aren't bad in any way, but still the contrast is palpable and it's making them come out as just something satisfactory in the end. The record really comes alive again on the second half though, with energy, a nice flow and good songs overall. When these guys put out a new record nowadays you know quite well what you're gonna get. So there's pretty much nothing new on Kingmaker to report and certain stuff is clearly recognizable from the last couple of records too. On the other hand they're still putting out new material pretty frequently and I'm sure that the two original members Ronnie Atkins and Ken Hammer know exactly what they're looking for and don't mind this kind of slow progress for the band and I don't see their fans complaining either, so there would be hard to find a good reason to stop this fine combination. I would say that Kingmaker is on par with almost everything else that the band has come out with in the 2000's, where I think that they've kept an even strong level over the years and I reckon that fans to the band generally will like what they get this time too. See
also review of: Louder
Than Ever , Motherland
, Pandemonium , Wake
Up To The Real World , Planet
Panic , Future World
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