Napalm Death - Time Waits For No Slave
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Published December 22 2008
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*=Staff's pick
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Strong Arm
Diktat*
Work To Rule
On The Brink Of Extinction*
Time Waits For No Slave
Life And Limb
Downbeat Clique*
Fallacy Dominion
Passive Tense
Larency Of The Heart
Procrastination On The Empty Vessel
Feeling Redundant*
A No-Sided Argument
De-evolution Ad Nauseum
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Genre |
Metal |
Mark Grenway
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Vocals
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Tracks |
14 |
Mitch Harris
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Guitar
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Runningtime |
50 Min. |
-
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Guitar
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Label |
Century
Media |
Shane Embury
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Bass
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Release |
28 January 2009 |
Danny Herrera
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Drums
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Country |
England |
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Keyboard
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Similar artists |
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So what is new with Time Waits For No Slave compared to
Napalm Death's two latest albums The Code Is Red...Long Live The Code
(2005) and Smear Campaign (2006)? I would say pretty much nothing. This
is a mere continuation of the organised chaos and the intense metal
they have created over the years. Vocalist Barney Greenway recently
stated in an interview "What differs this album from previous
ones are just nuances, pure development of chords. We don't have an
über strategy to make creations interesting, we just want to continue
to make use of the band's intensity".
What I like with the band is that they radiate such an
energy, the mentioned intensity and also a genuine love for what they
are doing, and they still do it damn well. Starting as a grind core
band, they have over the years been floating over in to solid death
metal and reaching today's more slightly thrashy and at times punk-ish
shape of extreme metal. The production is the same here as we are used
to the past years, pretty heavy and compact and somewhat dirty and rough.
There are a few minor try-outs on the album, mostly some
guitar riffs that we have not heard before, and the occasional vocal
divergency. Apart from that they hammer dead on as usual in every aspect.
What I can point a tiny negative finger at is the fact that there not
that many groovy and thrashy breaks on the album. Those always create
a delicious counterweight to the sonic rage and I miss them a bit here.
Some are present but far from as many as I would have wished for.
I do not know if it's because Greenway is getting older
and have to kind of disguise something, but I sure liked his vocals
more before. They are good nowadys too, but I really don't dig the distortion
he has adopted on the last handful of records. That aside, there is
not much else to say about this album than that it's a fully adequate
Napalm Death release, even a slightly bit better than the two most recent
ones. Fans can definitely buy it unheard since since the nestors of
Englands brutal scene stay true to their ideals and deliver once again.
See
also review of: Apex
Predator - Easy Meat , Utilitarian
, Smear Campaign , The
Code Is Red... Long Live The Code
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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