Harmony - Theatre Of Redemption
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Published November 24 2014
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*=Staff's pick
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The Window Of My Soul*
Inhale
Crown Me King
Son Of The Morning
What If
Theatre Of Redemption*
Bloodbound
You Are
Hands Of Time
In Search Of
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Genre |
Melodic/Prog. Power Metal |
Daniel Heiman
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Vocals
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Tracks |
10 |
Markus Sigfridsson
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Guitar
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Running time |
51 Min. |
-
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Guitar
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Label |
Ulterium
Records |
Raphael Dafras
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Bass
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Release |
28 November 2014 |
Tobias Enbert
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Drums
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Country |
Sweden |
John Svensson
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Keyboard
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Producer |
M. Sigfridsson, T. Enbert |
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Similar artists |
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Harmony's third record and given that number 1 and number
2 were released in 2003 and 2008 respectively, this outfit can hardly
claim to be productive at any point in terms of album releases. We are
now offered a rather varied record which includes melodic and slightly
progressive elements behind a power metal foundation. The record is
generally a rather satisfying effort, although I sense a lack of songs
that are able to crawl inside my skin to a position where they can really
grab a hold of me. Some of them definitely do, but a majority of the
tracks don't have the capacity to really burst out into full bloom.
The singer Daniel Heiman made an appearance on one song
on Harmony's latest effort, Chapter II: Aftermath, and now he has been
given the opportunity to handle the vocal duties on the whole album
personally. To me, he's still mostly known for having had a brilliant
future underway with the heavy metal unit Lost Horizon in the early
2000's. Things didn't eventually pan out on a personal level though
and soon they went separate ways and Heiman has since spent most of
his time, in a musical aspect, doing guest appearances or one off contributions
in various constellations.
He does himself most justice when he is allowed to vary
his vocals with piercing and sharp cries on top. A style which he unfortunately
hasn't really been given the room for, to develop his skills even further,
since he left the above mentioned band. To avoid any misunderstandings,
I must really point out that he still sings damn good, but he has anyway
ended up in the shadows of his past efforts and on this new release,
he doesn't reach the high water mark of his glory days.
Even though it's not a really distinctive matter when
looking at the whole album, the music comes out a little complex from
time to time. The guys' truly handles their duties well, but it also
takes a lot of feeling to create songs that in the end can turn out
great and at this important crossroad I think that Harmony actually
doesn't succeed on a regular basis. I can't say that any songs are fillers
and factually there's nothing bad about this record whatsoever, but
since it doesn't contain so much highly desirable stuff either, my final
opinion stays at a rather good record with a few songs as occasional
peak efforts.
See
also review of: Remembrance
, Chapter II: Aftermath
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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