Gloomball - The Quiet Monster
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Published March 29 2015
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*=Staff's pick
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The Quiet
Monster*
Straight To Hell
All Beauty Dies
Towards The Sun*
Sirens (Die Alone)
One More Day*
Sullen Eyes
(Don't) Surrender
Unbreakable
Blood Red World*
Blue Is Turning Into Gray
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Genre |
Alternative/Heavy Metal |
Alen Ljubic
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Vocals
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Tracks |
12 |
Björn Daigger
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Guitar
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Running time |
51 Min. |
Jossi Lenk
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Guitar
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Label |
Steamhammer/SPV |
Basti Moser
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Bass
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Release |
March 27, 2015 |
Danny Joe Hofmann
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Drums
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Country |
Germany |
-
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Keyboard
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Producer |
Kristian Kohlmannslehner |
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Similar artists |
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Germany's alternative metallers Gloomball's second effort
releases just before the two-year mark of the band's debut album The
Distance. The Quiet Monster is as an entirety pretty much similar to
its predecessor and the change of direction isn't particularly stretched,
with a few small exceptions of being a little more attacking in the
appearance and somewhat more hard-nosed.
The band has largely retained its style with principally
heavy metal interlaced alternative metal. The vocal contribution of
Alen Ljubic is pretty powerful and direct and it stylistically fits
this type of music really well. The overall riffing is formed in the
metal spirit, yet a little friendlier, more easily approachable and
modern. The music features an energetic and positive vibe and this specific
type of metal, which Gloomball represents, is on most points actually
better than what their American influences and equivalents release,
since those bands often have a weird and stupid thing for mixing completely
irrelevant musical styles with their metal.
The album doesn't really contain any absolute killer tracks
that will make you stand up in your home and shout the words out loud
and that would make your neighbors seriously angry with you and your
magnified noise level. The songs are generally accurate and captivating
nevertheless, with only a barely noticeable amount of filling material
involved. Thus, The Quiet Monster comes out as a highly pleasing release
and ultimately a really solid effort. It's an adequate successor to
the debut album and to my ears neither one is better nor worse than
the other.
See
also review of: The Distance
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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