Gloomball - The Distance
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Published April 29 2013
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*=Staff's pick
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Overcome*
Burning Gasoline
The Distance
Blown Away And Gone*
More And More
No Easy Way Out
Bitter Place
Long Time Gone
We Do Belong*
Your Sorrow Inside Me
Hands In Blood
Living With My Tender Pain
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Genre |
Alternative Metal |
Alen Ljubic
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Vocals
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Tracks |
12 |
Björn Daigger
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Guitar
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Running time |
51 Min. |
Jossi Lenk
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Guitar
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Label |
Steamhammer/SPV |
Basti Moser
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Bass
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Release |
29 April 2013 |
Danny Joe
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Drums
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Country |
Germany |
-
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Keyboard
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Producer |
- |
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Similar artists |
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This is the debut album from German quintet Gloomball
and I don't know shit about this unit, I tell you that. Initially I
thought that this record was absolutely nothing for me, but I gave it
another shot and soon found out that this is rather captivating metal
with many heavy and distorted riffs much to my liking.
It contains certain parts of everything from punkish heavier
rock to real heavy metal, thus this release lands in the not exactly
flattering alternative metal marsh. The songs are sometimes pretty diverse
within themselves, but, a little contradictory to what I just wrote,
as a whole yet many songs sound somewhat the same. The album's got a
good drive and sounds fresh, but this release definitely don't break
any new ground whatsoever and there's probably thousands of bands in
the last decade akin to Gloomball. I just haven't heard all of them.
I favor the heavy opener Overcome, the more catchy track
Blown Away And Gone and the outstanding and more emotional, yet powerful,
We Do Belong. The cover and strongly re-arranged version of the old
Rocky IV soundtrack, No Easy Way Out and the last song, the ballad Living
With My Tender Pain eventually make this album a bit varied. I also
print a huge question mark to the choice of the album's first single,
the title track The Distance, as there are so many better songs on this
release. Not bad, just hardly the right decision.
Many listeners will call this radio metal guaranteed,
and I'm not the one to disagree. Its production sounds very American
and so does the vocal melodies. Does that equal bad? No, good music
will always come out as good music, no matter which label you put on
it. I won't go over the top and praise this release as something extraordinary
or immense, but I like it and it's a positive debut from the German
metallers.
See
also review of: The Quiet
Monster
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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