Cavalera Conspiracy - Pandemonium
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Published November 05 2014
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*=Staff's pick
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Babylonian Pandemonium*
Bonzai Kamikazee
Scum
I, Barbarian
Cramunhão
Apex Predator
Insurrection
Not Losing The Edge
Father Of Hate
The Crucible
Deus Ex Machina*
Porra
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Genre |
Thrash Metal |
Max Cavalera
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Vocals
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Tracks |
12 |
Max Cavalera
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Guitar
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Running time |
51 Min. |
Marc Rizzo
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Guitar
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Label |
Napalm
Records |
Nate Newton
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Bass
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Release |
31 October 2014 |
Iggor Cavalera
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Drums
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Country |
USA |
-
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Keyboard
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Producer |
John Gray |
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Similar artists |
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This third album from the Brazilian born Cavalera brothers
is probably their most brutal creation thus far. Occasionally, chaotic
and rampant parts are mixed with a few certain black metal elements,
even though a regular and massive thrash metal with angry, and in fact
not specifically impressing, vocals constantly lurks in the dark and
forms the result. The repeated battering of the instruments, the continuous
wall-breaking approaches and the distinct brutality of the music doesn't
flood the album to the point of submerging, but it all together somehow
makes the riffs and harmonies end up in a shaded existence.
I find myself a little tired of listening to things in
the music that in different ways and too obvious brings forth the brothers'
heritage once again. It's not a huge amount of full-blown material that
ends up in this section, but still most fans are already fully aware
of the guys' battles to preserve their heritage. I know I can't blame
them for sticking up for what they feel or believe in, but in my viewpoint,
the record doesn't come out as any greater because of these elements
and good music is obviously what I'm looking for in the first place.
The songs overall aren't able to dig themselves deep within
me to reach my personal taste. I must in all honesty admit that I never
really was a big fan of neither Sepultura nor Soulfly and this new Cavalera
release won't change my opinion on these musicians' capability in terms
of writing good or awesome songs either. This record is definitely not
utterly poor, but it also has no greater effect that could put forward
a positive reaction. The music's attraction force is what really counts
towards the end and Pandemonium simply can't provide what I believe
is great music.
See
also review of: Inflikted
, Blunt Force Trauma
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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