Megadeth - Th1rt3en
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Published November 03 2011
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*=Staff's pick
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Sudden Death*
Public Enemy No. 1
Whose Life (Is It Anyways?)
We The People
Guns, Drugs & Money
Never Dead
New World Order
Fast Lane
Black Swan*
Wrecker
Millennium Of The Blind
Deadly Nightshade
13
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Genre |
Thrash Metal |
Dave Mustaine
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Vocals
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Tracks |
13 |
Dave Mustaine
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Guitar
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Running time |
58 Min. |
Chris Broderick
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Guitar
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Label |
Roadrunner
Records |
David Ellefson
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Bass
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Release |
02 November 2011 |
Shawn Drover
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Drums
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Country |
USA |
-
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Keyboard
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Producer |
Johnny K./D. Mustaine |
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Similar artists |
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Megadeth are back after two years with their thirteenth
album. This album contains mostly new songs, but also a couple of previously
released bonus tracks which have been re-recorded for Th1rt3en. According
to guitarist, vocalist and main man Dave Mustaine solely because he
hadn't fixed the final parts of the songs and they just didn't feel
right at that moment.
Th1rt3en follows the same path as the latest releases
Endgame and United Abominations with Megadeth's trademarked guitar parts,
solos and licks. Still it has some elements from two decades ago of
course, with rearranged songs New World Order and Millennium Of The
Blind. Both songs that didn't make the final cut back then and were
later released as bonus tracks on the remixed and remastered album Youthanasia
and maybe they should have stayed where they were?
Two other songs that have been previously released are
Sudden Death and Black Swan. The first recorded for Guitar Hero one
year ago and the latter was released as a bonus track on United Abominations.
This gives me an odd feeling when listening to this new album, considering
I have heard four songs before and therefore wonders if Mustaine and
his band have lost their inspiration or if their well has run dry. These
two songs are however among the best tracks on the album, especially
Sudden Death with its late eightees touch and great guitar play.
What about the new songs? I can't find many songs with
that extra spark. With this album I'm more impressed by their instrumental
skills than their ability to write great songs. Most of them feels like
a day at work and they don't make me want to listen to this album over
and over again. I don't want to call this album bad in any way, but
I highly doubt that this will be a future Megadeth classic.
See
also review of: Dystopia
, Super
Collider , Endgame , The
System Has Failed
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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