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Rage - Speak Of The Dead
Rage is back with a highly anticipated new release. Last year the band celebrated their 20th anniversary and it's been twenty years of constant touring and releasing albums in an ever flowing stream. For me Rage stepped into the elite when Peter 'Peavy' Wagner formed the band into a power trio worthy of its name. Victor Smolski is one of my favourite guitar players of today with his unique style that is catchy and technical without showing off. The hard hitting drummer Mike Terrana is also one of today's greatest drummers and it's obvious that Peavy struck gold when he hired these guys. Thankfully the trio has stayed together for quite some time now and Speak Of The Dead is their fourth album as a three piece. This time the band has revitalized an old idea as they have decided to continue with the classic period of Rage which also was the case on albums like Lingua Mortis, XIII and Ghosts. Speak Of The Dead is divided in two separate parts and the first one is the orchestrated Suite Lingua Mortis and the second one is seven tracks of classic Rage in the vain of Soundchaser and Unity. The first half of the album belongs to the Suite Lingua Mortis that was recorded with the symphonic orchestra of the city of Minsk. It consists of eight tracks but I regard this as two separate songs surrounded with instrumentals or passages to carry the suite forward. The songs are, simply put, phenomenal. The arrangements on Innocent are splendid and Peavy really shines on this track because the vocal melodies are one of its strongest assets. No Regrets must from now on be considered as a Rage classic. It opens up with a heavy stomping beat and a strange but efficient guitar riff. The melodies provided by the orchestra are extremely infectious and catchy. The chorus is great already from the beginning but when a choir is added at the end of the song it creates a crescendo that reaches higher than the sky(!). When the second half arrives with the classic Rage sound that we are so familiar with I instantly get the feeling that the main emphasis has been set on the suite we've just heard. No Fear is speedy and heavy but lacks necessary hooks and interesting riffs. Unfortunately that is also the case on the lion part of the second half with the exception of Soul Survivor and Be With Me Or Be Gone that inhabits great choruses and interesting arrangements. I am a bit puzzled about my feelings here since the first
half is a real knock-out but I can't look away from the fact that the
second part feels a bit lukewarm. It is still very good but it doesn't
seem to fit with the first half. I'm in favour of diversity but the
border between the first and second half are way to obvious, it almost
feels like two different records. But enough of criticism, at the end
of the day this is another really good record from a fantastic band. See
also review of: Seasons
Of The Black , 21
, Carved
In Stone , Soundchaser
, Unity , From
The Cradle To The Stage
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