|Wednesday| - |Thursday| - |Friday| - |Saturday|
The Opening Words
Sweden Rock: A festival based on classic hard rock and heavy metal bands that have passed their heydays, but still draw great attention at events similar to this. Also performing are newcomers, bands in different genres such as rock 'n' roll, blues, prog, black metal and you name it. As long as it has something to do with rock, they're a perfect match for this festival, who's been active, with different names and on three locations, since the year of 1992. Most artists look forward to this festival, since they know that they will be playing in front of an audience with great musical knowledge.
The festival gets better organized within almost every year and to my knowledge no greater mishaps appeared on this edition too. Wednesday functions as a warm up day with only 11000 tickets sold, which actually means sold out, when only half of the area is open to the visitors and live music is only played on the three smaller stages; Sweden Stage, Zeppelin Stage and Rockklassiker Stage. On Thursday through Saturday over 32000 people showed up when the two main stages, Festival Stage and Rock Stage, were set in action.
With eighty bands split on five stages during four
days, this became an intense and hectic weekend and even if we were a
party of two, we didn't meet on many occasions due to several hours each
spent in front of the performing bands.
//Tobbe
Reviews by Tobbe/Mozzy
Photos by Tobbe
Wednesday - June 06
Band: Sabaton
Sweden Stage 16:30-17:00
~ By Tobbe
With a set of just over thirty minutes, Sweden's very own Sabaton were here
to celebrate the Swedish national holiday and perform their first time
in their native country with the new lineup. I talked to the new drummer,
Robban, after the gig and he told me he was very nervous before this gig,
mainly because he had no idea what this audience would say about the new
guys.
It worked out well though, as the main characters of this band are still around and both new guitarists play the song in a somewhat similar way and move around more to make them more visual to the crowd. The new drummer have something to live up to and I think he did a good job as well.
The people on the grass were cheering all through the set, as the band
opened with the Swedish national anthem and continued with pompous and
pumping heavy metal for another thirty minutes. A pair of new songs were
played and of course a couple of old fan favorites as well. It's hard
to say anything straight out about the band's future, but I highly doubt
the lineup change will affect this band's popularity, as this was a well
performed gig.
Performance: 6 chalices
of 10
Stage sound: 6 chalices of 10
Best: Carolus Rex
Worst: To close the set with the same
song as always
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Setlist:
Du Gamla Du Fria (Swedish national anthem)
Ghost Division
Carolus Rex (English version)
Into The Fire
Primo Victoria
Gott Mit Uns (Swedish version)
Metal Crüe
Band: Fear Factory
Sweden Stage 18:15-19:30
~ By Tobbe
Fear Factory enters the stage with new bassplayer Matt DeVries and new
drummer Mike Heller and the latter with a lot of pressure on his shoulders,
since he is supposed to fill the shoes of one of metal's absolute top
men, Gene Hoglan aka The Atomic Clock. I was taking some time just listening
to the drums and I'm pretty sure Mike will have a future in this band.
The set was as always a hit parade, as they went through it record by record. If you're not into statistics, please skip this section. Starting with 3 from Obsolete and 2 from Digimortal. Continuing with 3 from Mechanize, followed by 1 from both new album The Industrialist and 1 from their debut, Soul Of A New Machine, before closing the set with 4 straight songs off Demanufacture.
A wall of sound and noise was evident through the whole set; Dino's heavy and powerful riffs, a thundering bass, smashing drums and much to my surprise, vocalist Burton's voice was working way better than last time I saw them.
Performance: 8 chalices
of 10
Stage sound: 5 chalices of 10
Best: Powershifter, Self Bias Resistor
Worst: Acres Of Skin
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Setlist:
Intro
Shock
Edgecrusher
Smasher/Devourer
Acres Of Skin
Linchpin
Powershifter
Fear Campaign
Christploitation
Recharger
Martyr
Demanufacture
Self Bias Resistor
Zero Signal
Replica
Band: H.E.A.T
Zeppelin Stage 19.45-20.45
~ By Mozzy
Like my last sighting of H.E.A.T, the band's set at Sweden Rock is largely
built around songs from their latest album, no fewer than eight included
this time as well. With the growing view that Adress The Nation probably
is just as splendid - at least - as their debut, it is simply a natural
thing to do. Breaking The Silence and Better Off Alone kick off things
brilliantly, video track Living On The Run builds up the heat further
with a jubilant response, and Heartbreaker again proves a great live number.
That said, it is not all an easy road at first. An early drum solo is quite redundant, and the stage sound suffers a bit during the first part of the show, with too much bass and a poor snare drum sound. Otherwise, it is a satisfying display indeed, with the tunes enthusiastically and skilfully performed. And live, the songs get more bite and heaviness as well. It is apparent the boys cherish the opportunity at Sweden Rock, with guitarist Dave Dalone especially inspired. Erik Grönwall again proves his talent, hitting the notes flawlessly and showcasing lively and confident frontmanship. 1000 Miles generates a festive vibe with much singing among the audience, before a couple of older numbers finishes off another convincing performance by H.E.A.T.
Performance: 7 chalices
of 10
Stage sound: 6 chalices of 10
Best: Heartbreaker
Worst: The drum solo
Setlist:
Breaking The Silence
Better Off Alone
Living On The Run
Late Night Lady
Falling Down
Drum Solo
Heartbreaker
Downtown
In And Out Of Trouble
1000 Miles
It's All About Tonight
Never Let Go
Danger Road
--------
Beg Beg Beg
Who Will Stop The Rain
Band: The Crown
Sweden Stage 21.00 - 22.15
~ By Mozzy
For fans of The Crown, this show is highly anticipated. After a club gig
in Gothenburg in May, this marks the death metal masters´ return
to the bigger stage following the reunion with original vocalist Johan
Lindstrand. The band go right into business, launching Deathexplosion
and following it up with two other relentless speed monsters in the form
of Executioner: Slayer Of The Light and Back From The Grave. These being
the first three tracks off of their most-loved record, Deathrace King,
it is a phenomenal, face-ripping opening which leaves you gasping for
air.
The remainder of the show offers an endless stream of pearls from the band's catalogue, including treats from the first albums such as Angels Die. The delivery is tight and passionate, with Janne Saarenpää's extraordinary, blistering drum attack as engine. The band is greeted by warm appreciation from their supporters, and one can tell the band enjoy themselves onstage. Lindstrand gives his all as frontman, and delivers his trademark, commanding vocal attack. That said, it seems that he is not in top form yet, as that extra power in his voice is not quite there. Also, the volume, due to today's restrictions, is a bit too low, which is a shame.
These remarks aside, this is an awesome display by The Crown which leads to eager headbanging and contented smiles. The conclusion of the set is just fantastic, with deadly versions of 1999- Revolution 666 and Total Satan. After loud cheers, the band even comes out for an encore, laying waste to the Sweden Rock stage one final time with Zombified.
Performance: 8,5 chalices
of 10
Stage sound: 7 chalices of 10
Best: The setlist in general
Worst: The low volume
Setlist:
Deathexplosion
Executioner: Slayer Of The Light
Back From The Grave
Black Lightning
Under The Whip
Angels Die
Blitzkrieg Witchcraft
World Below
Face Of Destruction/Deep Hit Of Death
As Below
House Of Hades
Crowned In Terror
The Tempter And The Bible Black
1999 - Revolution 666
Total Satan
Zombiefied
Band: Entombed
Zeppelin Stage 22.30 - 23.45
~ By Mozzy
When Entombed take the stage, it has gotten so cold that even the most
hardened festival-goer is shaking. Thankfully, then, we are to be served
death metal of the finest brand to raise the inside temperature, courtesy
of Death metal stalwarts Entombed. Songs such as Like This The Devil and
Damn Deal Done, with their catchiness and groove, has an engaging effect
which lifts the spirit and makes you forget about the cold and ensures
an enjoyable time instead. Singer L-G Petrov´s instruction of "all
you metalheads, show the horns!" gets a enthusiastic response. As
usual, the frontman is a joy to watch, his unfussy, good-humoured and
passionate approach making him an endearing character.
Petrov, clearly refreshed tonight (a good trick against cold temperature), is complemented splendidly by his bandmates, who deliver fan favourites like Revel In Flesh and Stranger Aeons with precision, feel and dedication. As a live band, Entombed could well be described as death metal's equivalent to Saxon in heavy metal: they have tons of classic tunes; they have a charismatic frontman; they are a rock-solid unit musically; and their consistency ensures they never ever disappoint. When an awesome Out Of Hand closes the show, everyone's festival spirit has risen.
Performance: 7 chalices
of 10
Stage sound: 7 chalices of 10
Best: Out Of Hand
Worst: The initially stiff audience
Setlist:
(might be slightly incorrect)
To Ride, Shoot Straight And Speak The Truth
Like This With The Devil
Living Dead
Sinners Bleed
When In Sodom
Serpent Saints
I For An Eye
Revel In Flesh
Damn Deal Done
Stranger Aeons
Night Of The Vampire
Chief Rebel Angel
Left Hand Path
Out Of Hand
Band: Edguy
Sweden Stage 00:00-02:00
~ By Tobbe
The warm up day's headliner act, German quintet Edguy, performed a set
of new songs and their hits. Nothing unusual, but in this case a waste
of good songs. No matter how hard I try, I really can't see what's better
with their new musical direction than their old power metal style. I love
the song Nobody's Hero though, but that's probably because that song has
those old vibes. When they play songs like Vain Glory Opera, King Of Fools,
Babylon and Tears Of A Mandrake they're hard to beat and I might be an
old whining bitch about it, but that's something you have to deal with.
The band is rocking hard, they are having a good time and their performance is near flawless, but their choice of setlist takes the edge of the gig and I sometimes dream away. The played / talked for almost the full two hours which most headliners don't, even if there's space for it and lead singer, Tobias Sammet, was as funny as always, even if he sometimes takes it to the limit of what people can stand. Don't misinterpret me too much now, because this was actually quite a good show, even if my short review don't point that way.
Performance: 6 chalices
of 10
Stage sound: 6 chalices of 10
Best: King Of Fools, The crowd's singalong
in Save Me
Worst: The rest of the song Save Me
Setlist:
Intro
Nobody's Hero
The Arcane Guild
Tears Of A Mandrake
Rock Of Cashel
Land Of The Miracle
Lavatory Love Machine
Vain Glory Opera
Robin Hood
Drum Solo
Ministry Of Saints
Save Me
Superheroes
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Babylon
The Trooper (first verse)
King Of Fools
Thursday - June 07
Band: Exciter
Sweden Stage 12:15-13:15
~ By Tobbe
Exciter, alongside Anvil, the band who never made it. Let's face it, the
songs are not good enough to thrash with the titans. The Canadian now
quartet, then trio, was actually one of my favorites bands in this genre
when I started to listen to heavy music, but over the years many have
passed them. Most song are in fact just decent and only a few of them
reach the high levels.
They are rocking hard though and all credit given. Songs like Rising
Of The Dead, Rain Of Terror and Violence & Force went down well and
I sung along until my lungs were bleeding. However, someone have to talk
to the sound engineer, as the bass volume was too loud comparing to the
rest and sometimes made the amplifiers crackle as well. All in all a decent
show and we all know that it's hard to perform your absolute best heavy
metal show at noon.
Performance: 4 chalices
of 10
Stage sound: 3 chalices of 10
Best: Rising Of The Dead, John Ricci's
heavy metal poses
Worst: The bass sound
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Setlist:
Aggressor
I Am The Beast
The Dark Command
Victims Of Sacrifice
Heavy Metal Maniac
Evil Omen
Guitar Solo
Rising Of The Dead
Stand Up And Fight
Pounding Metal
Bass Solo
Slaughtered In Vain
Rain Of Terror
Long Live The Loud
Violence & Force
Band: Exodus
Rock Stage 15.00 - 16.15
~ By Mozzy
Because Gary Holt is on tour with Slayer, filling in for Jeff Hannemann,
his vacant spot in Exodus is filled by his former axe partner Rick Hunolt.
This is indeed a very cool solution, and it's great to see Hunolt back
onstage with his former band. Having made a couple of guest appearances
with Exodus in recent times, it's nonetheless obvious that he is immensely
excited to be onstage again, not least in front of a big festival audience.
Jumping about with a wide grin on his face, he churns out thrash riffs
with child-like enthusiasm.
As a further treat, we get a couple of rarities in the setlist, such as Pleasures Of The Flesh. Overall, the set leans more towards the era with Hunolt in the band. Another Lesson In Violence sees a rabid mosh-pit forming, and tracks like Scar Spangled Banner, War Is My Shepperd and old gem Impaler uphold the fire until the lovely mosh anthem Toxic Waltz rounds things off. While it's fun to watch Hunolt, there is no doubt Gary Holt is much missed, also by far being the member with the most stage presence. Although this is not one of the most spectacular Exodus gigs, the thrash veterans prove yet again that they are a tight, ass-kicking live act.
Performance: 7 chalices
of 10
Stage sound: 7 chalices of 10
Best: Impaler
Worst: The absence of Gary Holt
(sorry, no setlist)
Band: Night Ranger
Festival Stage 16.30 - 18.00
~ By Mozzy
Night Ranger was definitely one of the most prolific names on this year's
Sweden Rock bill. Apart from being one of the classic, most popular names
of the 80's melodic hard rock/AOR scene, they have in fact never played
in Scandinavia. This is also something vocalist/bassist Jack Blades highlights
from his microphone. The exclusiveness of the show most likely contributes
to the band's effort as we get to witness a brilliant performance by the
Californian rockers. Blending excellent numbers from the latest album
with classic tunes, the show offers great entertainment and not one dull
moment. Blades proves to be a real showman and dynamic frontman with great
energy, and continuously fires up the crowd. His interplay with guitarist
Brad Gillis, also rocking out in an exemplary manner, is fun to watch.
The whole band are clearly up for a great time, and it rubs off on the
crowd.
After a superb Rumours In The Air, it's Gillis time to shine. With Blades telling the story of Gillis' stint with Ozzy Osbourne's in the beginning of the 80´s, we are treated to a rocking version of Crazy Train, with Gillis delivering a fabulous solo. While all members contribute to a great sound, Gillis status as a much-celebrated guitarist is understandable throughout the show, his playing being pure class and a joy to listen to. Because the band never visited these parts, the bubbly Blades informs us, we even get two Damn Yankees (the supergroup Blades was part of) tracks: Coming Of Age and High Enough. The latter, lovely ballad is just wonderful to hear, with everyone singing along.
At the end of the show, Dee Snider from Twisted Sister suddenly appears
to guest in the classic Rock In America. Then, a beautiful Sister Christian,
sung just as beautifully by drummer Kelly Keagy, and a terrific Don't
Tell Me You Love Me round things off. It is so evident that these are
vastly experienced and professional musicians who know how to put on an
entertaining, great live show. In this respect, they are similar to peers
who have graced this Festival stage, such as Journey, Foreigner and REO
Speedwagon. In short, an awesome display of good old melodic hard rock
- one of the best concerts of the festival.
Performance: 9 chalices
of 10
Stage sound: 8 chalices of 10
Best: Rumours In The Air
Worst: ---
Setlist:
Lay It On Me
Sing Me A Way
Seven Wishes
Coming Of Age
Rumours In The Air
Crazy Train
Growin' Up In California
The Secret Of My Success
Eddie's Comin' Out Tonight
High Enough
Touch Of Madness
When You Close Your Eyes
Rock In America
Sister Christian
Don't Tell You Love Me
Band: Steel Panther
Rock Stage 18:15-19:45
~ By Tobbe
Returning after two years to Sweden Rock by popular demand, was none other
than California's own Steel Panther. The band have had a huge impact in
Europe in recent years with their eighties glam and their indecent lyrics.
Last time, they played on Sweden Stage and the place was packed to the
last square foot. This time, upgraded to Rock Stage, so there was plenty
of space for the crowd to attend their show.
Yes, they have juvenile lyrics, but they're still amusing. These guys know how to play their instruments, so they could have set for different career. The crowd enjoys both the music and the lyrics as well as the talk in between the songs, which are strongly rehearsed, but yet uplifting and smiles and laughs are never far away. When up there, they're in for it to one hundred percent, as they flirt and poses to the maximum. The set for tonight's show is based on their best album, Feel The Steel, and everything apart from that would have come as a total surprise.
If Steel Panther is in a hype right now or if they have a future on this
scene, time will tell, but we all know that heavy rockers stay true to
their bands until the bitter end, so when once beginning to gain popularity,
it almost never fades.
Performance: 6 chalices
of 10
Stage sound: 7 chalices of 10
Best: Death To All But Metal
Worst: A bit monotonous
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Setlist:
In The Future (Intro)
Supersonic Sex Machine
Tomorrow Night
Fat Girl (Thar She Blows)
Asian Hooker
Just Like Tiger Woods
Gold Digging Whore
Turn Out The Lights
Community Property
Eyes Of A Panther
Girl From Oklahoma
Party All Day (Fuck All Night)
It Won't Suck Itself
Eatin' Ain't Cheatin'
17 Girls In A Row
Death To All But Metal
Band: Mastodon
Festival Stage 20.00 - 21.30
~ By Mozzy
Naturally, the Festival Stage at Sweden Rock - or any stage of the same
colossal size, for that matter - is not the perfect fit for every band.
This is very obvious when Mastodon perform their music as the evening's
last band on this very stage before headliners Soundgarden. In terms of
quality and status, Mastodon are not undeserving of a spot here, but it's
just that they would have been much better suited to any of the other
stages. For example, the stage ramp, stretching far out in the middle,
distances the band from large parts of the crowd. Guitarist/vocalist Brett
Hinds is clearly annoyed with the circumstances, throwing his guitar and
breaking into a rant about how "pathetic" he thinks the audience
is. While that is an exaggeration (and quite a shameful comment, to be
honest), it is clear that the connection between band - not the most extrovert
individuals themselves either, it has to be said - and crowd is not the
strongest.
Well, enough with negative points. When focusing on the musical aspect,
fans of the band, and others with good/broad taste, witness a tremendous
display. From the dazzling opener Black Tongue to the majestic closing
number The Creature Lives, we are served with amazing musical compositions.
The tunes from The Hunter - probably the best record of 2011 - are captivating,
with Curl Of The Burl proving a crowd favourite, greeted with loud cheers.
And whether the music is monstrously heavy like in Blood And Thunder or
melodic and beautiful as in The Sparrow, these guys excel just as greatly.
While being awesome musicians, they also exhibit an appealing soulfulness
and feel in their playing. With the vocals alternating between Hinds,
bassist/vocalist Troy Sanders and extraordinary drummer Brann Dailor,
the latter's vocal contributions is brilliant. Despite the circumstances
and regrettable behaviour of Hinds, this is an impressive performance.
Performance: 7,5 chalices
of 10
Stage sound: 7 chalices of 10
Best: Curl Of The Burl
Worst: Brett Hinds' behaviour
(sorry, no setlist)
Band: Sebastian Bach
Rock Stage 21:45-23:15
~ By Tobbe
Former Skid Row vocalist has countless of times said that he doesn't want
to be seen as a nostalgia act, and then everyone asks themselves why the
hell he plays sets of mainly Skid Row songs? Tonight was different though
as nine solo songs, eight Skid Row songs and one cover were played. I
can't say that I'm too disappointed about that approach.
Sebastian Bach is a first class showman and he gives everything he's got for almost ninety minutes. Sure, his voice isn't exactly what it used to be, but comparing to many other singers in metal, it's still more than good. When talking about singers; one of many guest appearances on this year's festival showed up here, as Dee Snider joined the band for the two last songs and we even got a cover version of Twisted Sister's We're Not Gonna Take It.
The Skid Row songs were of course the large crowd's favorites. The ballads
18 & Life and I Remember You were great singalongs, even I prefered
metal monsters like Monkey Business and the opener Slave To The Grind.
Most solo songs worked well, but unfortunately the major part of the crowd
have probably never heard them before. However, I would totally lie, if
I would say this would be as good as it was without the songs from his
former band.
Performance: 8 chalices
of 10
Stage sound: 6 chalices of 10
Best: My Own Worst Enemy, Monkey Business
Worst: A longer set wouldn't have
hurt
Setlist:
Slave To The Grind
Kicking & Screaming
Dirty Power
Here I Am
Big Guns
(Love Is) A Bitchslap
Stuck Inside
Piece Of Me
18 & Life
American Metalhead
As Long As I Got The Music
Monkey Business
My Own Worst Enemy
I'm Alive
I Remember You
Tunnelvision
We're Not Gonna Take It
Youth Gone Wild
Band: Soundgarden
Festival Stage: 23.30 - 01.30
~ By Mozzy
As Soundgarden walk onstage, they do so in front of a very large crowd,
in spite of the biting cold. Many have no doubt been looking forward to
the appearance by Soundgarden, one of the titans of the famous Seattle
scene. Compared to the other headliners at the festival, Twisted Sister
and Mötley Crue, Soundgarden are obviously vastly different musically.
While the former two are party-friendly bands with accessible, chorus-driven
tunes, Soundgarden's recipe, on the other hand, includes ingredients like
grittiness, melancholy and gloom. They can certainly rock hard, though,
as proven tonight in numbers like Outshined, Rusty Cage and Jesus Christ
Pose. Moreover, subtler tracks like Fell On Black Days and Black Hole
Sun are delightful to hear. Overall, though, some songs' lack of hooks
means that it's sometimes difficult to uphold the mood in this temperature.
Surely, not everyone is as familiar with Soundgarden as they are with
the other headliners either, and while the set continues, large parts
of the audience are leaving.
As for the stage show, it is very impressive. A classy light show is
accompanied by cool projections and videos. The effort from the band members,
meanwhile, is not quite of the crowd-pleasing type. Guitarist Kim Thayil
and bassist Ben Sheperd barely lifts their eyes off the floor. Frontman
Chris Cornell has charisma and terrific stage presence but does not say
much between songs. Instead, Soundgarden let the music do the talking.
While it's not really hits you can tap your feet to, it's heavy and dark
in an absorbing way and it sounds excellent. It's tight, with a faultless
rhythm section in Sheperd and drummer Matt Cameron, and Cornell demonstrates
that he still has a great, strong voice. To be honest, this writer is
not a massive fan of Soundgarden's music, and their performance does not
make the list of personal highlights this weekend. Nevertheless, judging
their concert as a whole, it is clear that it is a most convincing show;
very competently and professionally performed, and with a couple of excellent
tunes.
Performance: 7 chalices
of 10
Stage sound: 7 chalices of 10
Best: Fell On Black Days
Worst: A few unremarkable songs
Setlist:
Searching With My Good Eye Closed
Spoonman
Let Me Drown
Outshined
Flower
Drawing Flies
Hunted Down
Blow Up The Outside World
Fell On Black Days
Ugly Truth
Loud Love
Live To Rise
My Wave
Burden In My Hand
Rusty Cage
Gun
Black Hole Sun
Room A Thousand Years Wide
----------
Jesus Christ Pose
Beyond The Wheel
Slaves & Bulldozers
Friday - June 08
Band: Adrenaline Mob
Rock Stage 12:00-13:15
~ By Tobbe
It's a worn out epithet, but even I would call this a supergroup. With
only one album released it's very tough to create an exciting setlist,
so they decided to play the entire album, only leaving out the Duran Duran
cover Come Undone. One cover was however played, as they closed the set
with Black Sabbath's The Mob Rules as a tribute to Ronnie James Dio and
Adrenaline Mob's mafia inspired theme.
The performance by these skilled musicians was flawless, but with a lame audience at noon, it felt like they were spitting against the wind no matter how hard they tried. Some clouds also decided to let go of their load as a light rain wetted us out in the open air and the weather forecasts seemed to be correct. I also had worries prior to the show that drummer Mike Portnoy would try to steal the show, but fortunately he didn't.
In conclusion: Great songs, well performed and a tired and hung over
crowd from yesterday's experiences. I also must say that if they decide
to release a sophomore album, this constellation will be of highest interest.
Performance: 7 chalices
of 10
Stage sound: 7 chalices of 10
Best: Psychosane
Worst: That this band played at noon
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Setlist:
Intro
Psychosane
Feelin' Me
Indifferent
Down To The Floor
Angel Sky
Freight Train
Believe Me
All On The Line
Hit The Wall
Undaunted
The Mob Rules
Outro
Band: Black Spiders
Zeppelin Stage 13.45 - 14.45
~ By Mozzy
Hailing from Doncaster, Black Spiders have emerged as one of the most
promising new rock bands in the UK. They have received rave reviews for
their live show, so seeing them was a must. Arriving at the Zeppelin Stage,
the band unleashes Stay Down, the storming opening track from debut album
Sons Of The North. It is instantly clear that the band's reputation as
a live act is well-founded. With three guitarists providing a bombardment
of rock riffage and a busy rhythm section complementing them, their rock
n´roll is delivered hard and tight and with much conviction.
Visually, it is highly entertaining, as all five members rock out like
their lives depended on it. With constant movement and throwing of shapes,
it is a high-octane display which proves very warming in the cold and
rain. Singer/guitarist Pete 'Spider' Spiby is an engaging frontman with
amusing stage banter, and winds up the crowd well. A regular feature in
a Black Spiders show is the request to the crowd to chant "Fuck you,
Black Spiders!", and this audience nicely obeys. As regards to the
songs, the material from the acclaimed debut, as expected, is a great
fit for the live stage. The spectators are clearly pleased, not least
during the last number, the brilliant Kiss Tried To Kill Me. These boys
live up to their reputation, and must be witnessed, should you get the
chance.
Performance: 7 chalices
of 10
Stage sound: 7 chalices of 10
Best: The entertaining members
Worst: The odd slower tune is not
as exciting
(sorry, no setlist)
Band: Axel Rudi Pell
Festival Stage 13:30-14:45
~ By Tobbe
When a band starts five minutes early on a festival gig, you know that
they're focused to perform one hell of a show. Besides from the early
start, that didn't happen. Mr. Pell felt somewhat uninspired this afternoon,
as he was standing cemented to the floor like Ian Hill of Judas Priest.
Lead singer Johnny Gioeli tried to get this going and was successful from
time to time when he was running the ramp in the rain.
On the positive side, Mike Terrana's played one of few drum solos I could enjoy a bit. It gets way better when the drums are accompanied by a recorded tune, instead of hearing someone play fills and stop every two seconds to hear the crowd shout hey.
A decent gig with many of their better songs played. They performed a
set with songs spanning over twenty years, but with limited playing time
and so many records released, this is just a fragment of what they're
capable of.
Performance: 4 chalices
of 10
Stage sound: 6 chalices of 10
Best: Strong As A Rock
Worst: Rock The Nation felt misplaced
when played as the last song
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Setlist:
The Guillotine Suite (Intro)
Ghost In The Black
Strong As A Rock
Before I Die
Medley: The Masquerade Ball/Casbah/Dreaming Dead/Whole Lotta Love
Drum Solo
Mystica
Mistreated
Mystica (continued)
Circle Of The Oath
Tear Down The Walls
Nasty Reputation
Rock The Nation
Band: Gamma Ray
Sweden Stage 15:00-16:15
~ By Tobbe
Light rain was turning into showers and I decided to put my grim reaper
raincoat on, as Kai Hansen and his squad were once again on Swedish soil
to perform at Sweden Rock. This time with Michael Ehré behind the
drum kit. For what reason Daniel Zimmermann wasn't there I don't know
and I actually don't care either.
This afternoon they played a set full of hits and a couple of newer once as well. Helloween songs Ride The Sky and I Want Out were as usual a pair of favorites. Rebellion In Dreamland was awesome as always and so was Dethrone Tyranny, but I wonder why they (Kai) choose to play To The Metal. One of their most boring compositions and such a sleeping pill.
I felt that this was just one gig out of many, even if the performance was good and the band seemed to enjoy every minute of it. Almost all songs are killer and with a setlist like this, they can fall asleep and still do a good show.
Performance: 6 chalices
of 10
Stage sound: 6 chalices of 10
Best: Rebellion In Dreamland, Dethrone
Tyranny
Worst: To The Metal
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Setlist:
Welcome (Intro)
New World Order
Gardens Of The Sinner
Ride The Sky
Empathy
Fight
Rebellion In Dreamland
Dethrone Tyranny
To The Metal
I Want Out
Somewhere Out In Space
Send Me A Sign
Band: Ugly Kid Joe
Sweden Stage 18:15-19:45
~ By Tobbe
Like many others, I listened to the songs by Ugly Kid Joe in their heydays
twenty years ago. I listened to the albums briefly when they were announced
for the festival, but apart from that I haven't heard anything else than
their cover version of Cats In The Cradle when broadcasted on one of our
so called rock radio stations, I believe most of the crowd this early
evening have had the same experience as I.
Frontman Whitfield Crane was on top and it's very clear that he is the man up there. He was in a good mood and was trying his best to make this show memorable. There was only one small problem. The songs they play don't have what it takes to make me pay my full attention. They also played a one hour set on a ninety minute spot and that is a waste. If the mainman hadn't been such a great frontman, I would have rated this gig at least one step lower.
Performance: 4 chalices
of 10
Stage sound: 6 chalices of 10
Best: Whitfield Crane
Worst: Milkman
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(sorry, no setlist)
Band: Gotthard
Rock Stage 18.15 - 19.45
~ By Mozzy
Prior to Gotthard going on, a huge crowd has gathered in front of the
Rock Stage. This is of course the first appearance on Swedish soil by
the Swiss rockers since the tragic passing of vocalist Steve Lee. First,
let's make it clear that, while many are curious to see the performance
of new singer Nic Maeder, it is quite unfair to fully compare him to Lee,
an original member who had a distinctive, golden voice plus vast experience.
But most are no doubt here to show their support, welcome back this great
band and simply enjoy the music. And enjoyable it inevitably becomes,
as a string of fabulous tracks appear early in the set, such as Top Of
The World, Master Of Illusion and Gone Too Far. The sound is great too,
with all instruments getting space, and more heaviness and meat added
to the picture compared to the records.
The atmosphere both onstage and in the crowd is splendid, and the solid, tight-sounding band is fired up, especially guitarist Leo Leoni who puts in a busy, rocking effort. After being slightly laid-back at first, Maeder reveals fine frontman abilities, looking very composed and having a joyful attitude. Regarding his vocals, his interpretations of the old material are good and he certainly has a very good voice. Mid-set, he is left alone onstage in a piano-only version of One Life One Soul. Dedicating it to Steve Lee, he asks for the crowd's help to sing. He sure gets it, in a version that is both painfully and heart-warmingly touching and one that leaves many in the crowd with tears in their eyes. A true highlight of the show.
We also get a few numbers from the latest album. Remember It's Me is
a fine ballad that gets a great response, but Starlight, Right On and
The Story's Over are to Gotthard standards quite average songs. One can
also dispute over a couple of choices of songs elsewhere in the set, but
then again there are lots of Gotthard songs to choose from. Overall, this
is a most enjoyable show and it's great to see the band back. When it
comes to the live apartment, this new line-up will definitely continue
to please crowds.
Performance: 7,5 chalices
of 10
Stage sound: 8 chalices of 10
Best: One Life One Soul
Worst: Right On
Setlist:
Dream On
Top of the World
Starlight
Master of Illusion
Remember It's Me
Gone Too Far
Hush
One Life, One Soul
Nothing Left At All
Mountain Mama
Right On
The Story's Over
Fist In Your Face
Lift U Up
Anytime Anywhere
I Don't Mind
The Mighty Quinn (Quinn the Eskimo)
Band: Motörhead
Rock Stage 21:45-23:15
~ By Tobbe
Motörhead's eighth visit at Sweden Rock since 1998 and whether that's
a good sign or lack of fantasy from the organizers, I can't say. With
a hammered bassplayer and an all but sober guitarist everything must have
gone wrong. No, this is Motörhead and they were here to kick our
asses.
Did we get our asses kicked? Actually no. Tonight, this was just Motörhead following their standards. With a setlist like tonight, I don't know which foot to put my weight on. There are a couple of songs which are rarely played live and that's cool for me, but on the other hand, a few of them shouldn't come anywhere near a festival set. When people see Motörhead in the open air during dusk and the intoxication is kicking in, they want to hear the hits, even if they've heard them millions of times before.
It wasn't until the last five songs that the gig took a turn into something
awesome, even if I personally don't like the deal with closing the set
with the same songs as they always do. During Killed By Death, Whitfield
Crane of Ugly Kid Joe and Andy LaRocque of King Diamond made guest appearances,
but that was more a cool thing to do, than an actual contribution to the
show itself. Lastly and contrary to what I just wrote, I must admit that
Overkill in fact is one hell of a song to say goodnight with.
Performance: 5 chalices
of 10
Stage sound: 5 chalices of 10
Best: Overkill, Metropolis
Worst: Just Coz You Got The Power
Setlist:
Damage Case
Iron Fist
I Know How To Die
Stay Clean
Metropolis
Over The Top
One Night Stand
The Chase Is Better Than The Catch
The One To Sing The Blues
Drum Solo
Just Coz You Got The Power
Going To Brazil
Killed By Death
Bomber
Ace Of Spades
Overkill
Band: Twisted Sister
Festival Stage 23:30-02:00
~ By Tobbe
Friday's headliner Twisted Sister was back for their third performance
at Sweden Rock and during five hours in total, split on two days, main
man Dee Snider took the opportunity to promote his new book Shut Up And
Give Me The Mic. Having that said, with some free promotion for Dee, let's
focus on their gig.
A gig filled with many of their greatest songs and two huge surprises. First, Wake Up (The Sleeping Giant) which Mr. Snider used to play on his solo gigs and a song that I always wanted to see the band play live. Second, Sin After Sin from their debut album, Under The Blade. A song that used to be and still is one of my personal favorites. Perhaps the rest of the crowd wondered what the hell that was, but I don't care.
On the negative side, why do we have to put up with and endure Rolling Stones' It's Only Rock 'N Roll (But I Like It) and the frontman's attempts to make us scream, shout and jump? And three encores. Stay on stage please, as we all know you're coming back until you've played S.M.F.. Do I have to mention that they included a drum solo in the set?
Apart from that, this was a rad performance, much to the frontman inexhaustible
talent. That man can really fill the gap that opens up behind him, as
the other bandmembers allow him to be number one, no question about it.
Performance: 7 chalices
of 10
Stage sound: 7 chalices of 10
Best: Wake Up (The Sleeping Giant),
Sin After Sin
Worst: It's Only Rock 'N' Roll (But
I Like It)
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Setlist:
What You Don't Know (Sure Can Hurt You)
The Kids Are Back
Stay Hungry
Wake Up (The Sleeping Giant)
I Believe In Rock 'N' Roll
You Can't Stop Rock 'N' Roll
Sin After Sin
The Fire Still Burns
We're Not Gonna Take It
The Price
Burn In Hell
Drum Solo
Burn In Hell (continued)
I Wanna Rock
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It's Only Rock 'N Roll (But I Like It)
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Come Out And Play
------
S.M.F.
Saturday - June 09
Band: Hell
Sweden Stage 12:15-13:15
~ By Tobbe
After three days and nights of heavy rocking, Hell opened up my Saturday.
Fifteen minutes past noon and I was still trying to rub the dirt out of
my eyes.
The reactivated brits have only one release to pick songs from and naturally they played almost the entire record, only leaving out No Martyr's Cage. Many songs sound a bit like the other, so for me it doesn't matter what order they choose to follow. I also long for their next album, just to see what they are able to achieve in the studio and in their live performances.
David Bower is a first class frontman, who has the crowd in his hands from the very first moments until the last. Even if the other guys try to be in focus from time to time, it's hard not just to follow the theatrical lead singer. Every move from him is just awesome and I believe he is one of the most interesting artists out there. All in all a well performed gig and I was back to being myself again.
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Performance: 6 chalices
of 10
Stage sound: 6 chalices of 10
Best: David Bower, Plague And Fyre
Worst: Way too early for a Hell gig
Setlist:
Let Battle Commence
On Earth As It Is In Hell
Plague And Fyre
The Quest
The Oppressors
Blasphemy And The Master
The Devil's Deadly Weapon
Macbeth
Save Us From Those Who Would Save Us
Band: Return
Festival Stage 13.30 - 14.45
~ By Mozzy
Funnily enough, my only previous live encounter with Norway's Return took
place at a pub in my small hometown, in the early nineties. Very successful
in their home country, they were popular in Sweden as well. Taking a long
break in 1993, they have now reformed for the second time. Undoubtedly,
many feel nostalgic when the Norwegians take the stage.
With a line-up consisting of 3 original members out of 4, favourites like
Change The Attitude and United In A Scream gets the show running. The
sound is crisp, and frontman Knut Erik Östgård's recognisable,
appealingly raspy voice is intact.
Return very much reached their big popularity thanks to a few memorable
ballads, and we are served some numbers in this vein such as Sing Me A
Song, Can You Forgive Me and The Loner. The latter is not as well-known
as other tunes but is an emotive number which is a highlight here. However,
no less than 7 of the 16 songs are ballads, which makes the concert loose
momentum and energy. As the last number the song everyone has been waiting
for is played: Return's huge hit and timeless anthem, Bye Bye Johnny,
which is greeted with loud singing. While it's not exactly a wild rock
party, it is nice to be served Return's melodic gems on this sunny afternoon,
with some nice nostalgia thrown in as well.
Performance: 6 chalices
of 10
Stage sound: 7 chalices of 10
Best: The Loner
Worst: The lack of pace
Setlist:
Change The Attitude
Having Fun
United In A Scream
Steal Your Heart Away
Take This Heart
Tonight
Friends Will Be Friends
The Loner
Little Miss Easy
Sing Me A Song
Life Must Go On
Russian Roulette
Ridin´ On A Rainbow
To The Top
Can You Forgive Me
Bye Bye Johnny
Band: Bad Company
Festival Stage 16.30 - 18.00
~ By Mozzy
The announcement that Bad Company had been booked for a performance at
Sweden Rock created joy among legions of rock fans. One of the truly classic
and revered rock bands, having huge success in the 1970's primarily, they
were surely one of the most eagerly awaited groups yet to appear at this
festival. Expectations of course increased when the remaining original
members reunited a couple of years ago. In addition, they haven't played
live on the European continent - outside of the U.K. - since 1975.
The setlist does not offer any surprises, and apart from one additional one, the songs are identical - the first 13 are in the same order even - to the ones found on their recent DVD recorded in London 2010. Then again, it's impossible to complain when gem after gem is played, offering blues-based rock of pure gold. The groove in these classics is irresistible, and they are played with expertise by the gentlemen onstage. Original members Mick Ralphs (guitar) and Simon Kirke (drums) are excellently aided by Howard Leese (guitar) and Lynn Sorensen (bass).
Singing the tunes is of course none other than Paul Rodgers, one of the most celebrated vocalists in rock history and an inspiration to many famous names. Listening to his outstanding voice is just delightful, and his delivery is impeccable. During Shooting Star, he is assisted by an awesome sing-along. Just as celebrated as Rodgers' voice is his frontman abilities, and he sure displays those here, looking totally in control, being engaging to watch and having an exemplary connection with the happy crowd. The others onstage certainly ooze composure but hardly move much and frankly leave quite an unexciting impression. Another complaint could be directed towards the stage volume, which is rather low and frankly takes away some of the impact. That does not, however, stop this from being a memorable performance.
Performance: 7 chalices
of 10
Stage sound: 6 chalices of 10
Best: Shooting Star
Worst: The volume should have been
higher
Setlist:
Can't Get Enough
Honey Child
Running With The Pack
Burnin' Sky
Young Blood
Seagull
Gone, Gone, Gone
Electricland
Simple Man
Feel Like Makin' Love
Shooting Star
Rock 'n' Roll Fantasy
Movin' On
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Deal With The Preacher
Good Lovin' Gone Bad
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Bad Company
Ready For Love
Band: Slaughter
Rock Stage 18:15-19:45
~ By Tobbe
For the first time on Swedish soil and way past their peak, like many
of the other bands, Slaughter, seemed to bring the good weather to the
south of Sweden, as the sun broke through the clouds. I had only seen
the band live once before, so I was excited to finally see them again.
After a slow start with a jam or whatever the hell it was, The Wild Life opened up the show and my initial thought was that this didn't sound especially good. After a couple of songs, the gig however started to become something worth seeing.
A thirty pounds heavier Mark chickened out pretty much through the whole set, as he didn't even try to sing the high tones. On the other hand, the lead singer and guitarist stepped right into the crowd during Eye To Eye, so I offer him some forgiveness. Bassplayer Dana Strum was on the contrary all in for it, as he was banging and running almost the entire time.
A short set just over one hour isn't satisfying enough when offered a ninety minute slot. They played one new song called Living Inside and over half of the set was based on their multi platinum debut album, Stick It To Ya. I had hopes for more songs from their best record, The Wild Life, but I was left with only the hope. If I leave out Mark's voice and the short set, this was a decent set, so it's worth 4 chalices, even if my review seem to be pretty tough on them.
Performance: 4 chalices
of 10
Stage sound: 7 chalices of 10
Best: Real Love
Worst: Too short
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Setlist:
Jam
The Wild Life
Take Me Away
Burning Bridges
Spend My Life
Mad About You
Eye To Eye
Heaven And Hell
Eye To Eye (continued)
Living Inside
Real Love
Fly To The Angels
Up All Night
Outro
Band: Symphony X
Sweden Stage 18.15 - 19.45
~ By Mozzy
Having increased their fanbase with their two last, fabulous albums, a
large crowd has gathered to see Symphony X. The first six songs of the
set are picked from last year's Iconoclast and provide classy heavy/power
metal with a progressive touch, true to the band's style. Showcasing muscular
heaviness as well as tasteful melodies, it is simply an outstanding musical
display, albeit not with a great stage sound initially. The rendition
of When All Is Lost is tremendous and is dedicated to the audience, with
vocalist Russel Allen calling Sweden Rock his favourite festival. Allen
demonstrates his magnificent, powerful voice, and his bandmates' instrumental
abilities are certainly remarkable.
At the same time, it is not very appealing visually. Compared to Allen's
show with his other band at the festival, Adrenaline Mob, this is more
static, though this music is more complicated to play. Thankfully, Allen
works intensely and effectively as a frontman to stir up the crowd. A
couple of older songs then appear which are slightly more direct, and
the energy level of the show benefits. A playful part of the show in which
Allens orders the spectators to demonstrate their screaming skills results
in an impressive response, and the rest of the show has a good bond between
the band and the crowd. The finish then, with three numbers from Paradise
Lost, is formidable. The set list perhaps could have been differently
balanced, but all in all the Americans definitely provide an enjoyable
concert.
Performance: 7 chalices
of 10
Stage sound: 6 chalices of 10
Best: When All Is Lost
Worst: The lack of action onstage
Setlist:
Iconoclast
End of Innocence
Dehumanized
Electric Messiah
Children of A Faceless God
When All Is Lost
Inferno (Unleash The Fire)
Of Sins And Shadows
Sea of Lies
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Eve of Seduction
Serpent's Kiss
Set The World On Fire (The Lie of Lies)
Band: Lynyrd Skynyrd
Festival Stage 20.00 - 21.30
~ By Mozzy
12 years after their last appearance, Lynyrd Skynyrd make a welcome return
at Sweden Rock. They are similar to Bad Company in that they are one of
rock history's most classic bands and possess some truly timeless anthems.
A massive crowd is treated to a stream of golden oldies, with even a medley
in order to squeeze in more tracks. That Smell and a glorious Simple Man
are obvious highlights during the first half. Without doubt the band that
epitomises Southern Rock, Skynyrd's mixture of rock n' roll, blues, hard
rock and country, always with an appealing groove, is hard to resist.
With nine people onstage, the musical delivery offers much impact. The
three guitarists all shine with superb harmonies and solos, and Rickey
Medlocke rocks out as usual, being by far the most dynamic one onstage.
It's indeed a solid and musically proficient display, but at times it
feels a bit like a day at the office for the band, like that extra effort
and enthusiasm is not quite there. Nevertheless, a very nice time is certainly
had in front of the Festival Stage, being treated to great rock music
with an uplifting feel and a life-celebrating message. The number of classic
tunes play an important part tonight, and the finale with Sweet Home Alabama
followed by the epic Free Bird is wonderful, and can't be topped by many
bands.
Performance: 7 chalices
of 10
Stage sound: 8 chalices of 10
Best: Freebird
Worst: The slight lack of effort
Setlist:
Workin' For MCA
I Ain't The One
Skynyrd Nation
What's Your Name
Down South Jukin'
That Smell
Saturday Night Special
Simple Man
Medley: Gimme Back My Bullets/Whiskey Rock-A-Roller/The Needle And The
Spoon
Tuesday's Gone
Gimme Three Steps
Call Me The Breeze
Sweet Home Alabama
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Free Bird
Band: King Diamond
Rock Stage 21:45-23:15
~ By Tobbe
With only two gigs announced this summer, the other one being at Hellfest
in France, King Diamond was back with his band on stage again for the
first time in ages.
A fence in the front of the stage was covering the band during the first songs and I had some trouble knowing where to look during the first two supersongs The Candle and Welcome Home. An opening like this is truly hard to beat, but they surpassed themselves later when their, in my opinion, best song At The Graves was played. The set spanned through his whole career and even a couple of songs from the nineties were included.
A couple of cool guest appearances were present. During the Mercyful Fate song Come To The Sabbath, Hank Shermann and the Volbeat frontman Michael Poulsen joined the band on stage, and much to the crowd's appreciation, Michael Denner and especially Mikkey Dee were performing on Halloween.
Unfortunately King didn't use the full ninety minutes, but we all know
that his health hasn't been the best in recent years, so I won't hold
that against him. This was indeed a great show, even if it had some dips,
and now we have to hope for King's full recovery, as he is much welcome
back to the scene.
Performance: 8 chalices
of 10
Stage sound: 6 chalices of 10
Best: At The Graves
Worst: The fence
Setlist:
The Candle
Welcome Home
Drum Solo
Voodoo
At The Graves
Up From The Grave
Let It Be Done (recorded)
Dreams
Sleepless Nights
Instrumental Song
Shapes Of Black
Come To The Sabbath
Eye Of The Witch
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The Family Ghost
Halloween
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Black Horsemen
Band: Mötley Crüe
Festival Stage 23:30-02:00
~ By Mozzy
Not entirely true, but here's the deal: A drummer with an ego greater
than God. A vocalist with a tone worse than Ozzy Osbourne. A bassplayer
who looks like he's still on heroin. A guitarist that can't move. This
equals Mötley Crüe, one of the most popular hard rock bands
on our planet.
This band isn't one of the bands that change their setlists frequently, so we all know what songs they will play. They do it good though, even if Vince Neil is actually not singing in tone and he skips every fourth word through the whole set. Mick Mars is of course cemented to the stage floor due to his illness and just being there is something out of this world. Tommy Lee is a first class drummer and Nikki Sixx is cool for just being Nikki Sixx.
All the hits are played, but they reach the top with Saints Of Los Angeles. A song that hits new levels when played live and also a song that I haven't heard thousands of times. Primal Scream should be scratched off the setlist, as it has no way near the qualities of the other songs. Could someone please tell me what's good about it?
Even if the show isn't performed with perfection, I must say that it's
good anyhow. Partysongs all through from a band you thought gave it all
up ages ago. They however still hang on, even if Vince recently said some
bloopers about quitting the band.
Performance: 6 chalices
of 10
Stage sound: 6 chalices of 10
Best: Saints Of Los Angeles
Worst: Primal Scream
Setlist:
Intro
Wild Side
Live Wire
Too Fast For Love
Saints Of Los Angeles
Shout At The Devil
Don't Go Away Mad (Just Go Away)
Same Ol' Situation (S.O.S.)
Guitar Solo
Looks That Kill
Piece Of Your Action
Primal Scream
Smokin' In The Boys Room
Drum Solo
Dr. Feelgood
Girls, Girls, Girls
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Home Sweet Home
Kickstart My Heart
The Closing Words
Another year and another Sweden Rock Festival has passed. The weather wasn't what I had hoped for, with heavy showers on Friday and temperatures within 15-18 °C (59-64 °F).
The running order was much to my satisfaction, as I didn't have any severe conflicts at all. However, with this great number of bands, I miss out on the smaller stages a lot, as I find myself in front of the three biggest stages almost all the time.
The audience felt a bit lame this year. There weren't any problems at all to find myself good spots to see the bands from. The festival was almost sold out, so I believe I don't have an answer to that. Perhaps the bands weren't to everyone's satisfaction and much of the weekend was spent on the camping grounds?
The first band for next edition of Sweden Rock
is already announced, as Canadian power trio Rush will hit the festival
stage in June 2013. A band who haven't played a festival since the late
seventies must be considered an awesome confirmation.
//Tobbe
Related links: www.swedenrock.com