Ill Niño - Till Death, La Familia
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Published July 28 2014
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*=Staff's pick
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Live Like There's No Tomorrow
Not Alive In My Nightmare
I'm Not The Enemy
Blood Is Thicker Than Water
Are We So Innocent
Pray I Don't Find You
World So Cold
Dead Friends
Breaking The Rules
Payaso
My Bullet*
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Genre |
Heavy/Alternative/Latin Metal |
Cristian Machado
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Vocals
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Tracks |
11 |
Ahrue Luster
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Guitar
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Running time |
44 Min. |
Diego Verduzco
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Guitar
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Label |
Victory
Records |
Lazaro Pina
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Bass
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Release |
22 July 2014 |
Dave Chavarri
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Drums
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Country |
USA |
Oscar Santiago
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Percussion
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Producer |
Eddie Wohl and Dave Chavarri w/
Ill Niño |
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Similar artists |
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The seventh album from New Jersey's latin metallers and
ever since I first listened to this outfit's full length debut Revolution
Revolución back in late 2001, they've had an impact on me with
their different and unconventional type of metal. It's a no brainer
that the band includes many Latin rhythms in its enraged heavy metal,
but that simple fact also makes this band rather one of a kind though,
at least the way I see it.
Lead vocalist Cristian Machado sounds as angry as he usually
does with his somewhat untamed and foul language. No unique phenomenon,
but he mostly alternates between two floating states, like many other
singers, meaning cleaner vocals in the choruses and that he is keeping
it on a much more violent level in the verses. The latter takes most
of his time and efforts, but it's not like he's using his voice to generate
the worst, ugliest and cruelest guttural roars out of a deep canyon.
Also I think that he has lost some of the strength and the skill for
precision that he had in the beginning of the band's career. At that
early point he also sang a lot of the vocals in Spanish, which now seems
to be nothing but a memory of a distant past.
Besides the last song, My Bullet, the album unquestionably
has an absence of ups and downs, which is on the verge of being a disadvantage,
because you can't find something that differs itself from the rest and
also stands out to kick your ass severely and whose impulse strikes
like a ton of bricks when you listen to it. Although I get the feeling
of something repetitive, written before, changes in tempo and vibe keep
this record alive for forty-four minutes and fans to Ill Niño
will probably embrace this release, even if it's pretty far from the
band's most solid work.
See
also review of: Epidemia
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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