Degradead - The Monster Within
|
Published September 12 2013
|

*=Staff's pick
|
One Against All*
The Monster Within
For Better Or Worse
Dead Becomes Alive*
We'll Meet Again
The Dark Mind*
Strive To Struggle
Scars Of Misery*
Tendency To Sin
Sorrow Never Betrays
|
Genre |
Metal |
Mikael Sehlin
|
Vocals
|
Tracks |
10 |
Anders Nyström
|
Guitar
|
Running time |
41 Min. |
David Szücs
|
Guitar
|
Label |
Metalville |
Michel Bärzén
|
Bass
|
Release |
13 September 2013 |
Amit Mohla
|
Drums
|
Country |
Sweden |
-
|
Keyboard
|
Producer |
Thomas "Plec" Johansson |
|
|
Similar artists |
Scar Symmetry |
|
Stockholm, Sweden metallers Degradead's fourth album.
Within its foundations, this is a modern version of metal, often filled
with faster and more compact parts and also with vocals who make this
music lean towards a lighter edition of death metal. This type of music
always place question marks inside my head. I really don't know how
to label it and to whom this release will apply to, because it has no
blatant direction or target.
It has a somewhat pulsating vibe in most songs, yet with
a kind of factitious sound, making it lose the natural vividness. In
all fairness, it sounds pretty much like many other metal productions
today where the technology overshadows the art. Almost constant violent
verses and catchy, clean sung choruses and bridges makes this album
pretty repetitive and even though a proper ballad, We'll Meet Again,
is featured and also more straight metal songs, I still miss variation
and change to complete my full experience.
In the end, The Monster Within feels like one large block
of modern metal that leaves no solid impressions to make me want to
set my audio system on repeat. This release is definitely not bad, yet
from my viewpoint something far from outstanding. The verses mainly
feel like long brutal hauls, before they then set focus to one hundred
percent on the neat corrected choruses to catch people's attention.
I get the feeling that some of the songs are written to get radio listeners
hooked to those short captivating moments and to capitalize on instant
sensations.
See
also review of: Out
Of Body Experience , Til
Death Do Us Apart
Performance
|
Originality
|
Production
|
Vocals
|
Songwriting
|
|
|
|
|
|
|
Summary
|
|