Draconian - The Burning Halo
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Published Oct. 26 2006
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*=Staff's pick
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She Dies*
Through Infectious Waters (A Sickness Elegy)
The Dying
Serenade Of Sorrow*
The Morningstar
The Gothic Embrace
On Sunday They Will Kill The World (Ekseption-cover)
Forever My Queen (Pentagram-cover)
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Genre |
Gothic Doom Metal |
Anders J./Lisa J.
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Vocals
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Tracks |
8 |
Johan Ericsson
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Guitar
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Runningtime |
54 Min. |
Daniel Arvidsson
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Guitar
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Label |
Napalm
Records |
Fredrik Johansson
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Bass
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Release |
02 Oct. 2006 |
Jerry Torstensson
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Drums
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Country |
Sweden |
Andreas Karlsson
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Keyboards
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Similar artists |
Tristania,
My Dying Bride |
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I might as well put the cards on the table from the very
start, and confess that I haven't heard either of Draconian's two albums
that preceded The Burning Halo, their third release so far. Perhaps
this isn't the right album to discover the band with, since it contains
only three new songs, three revamped demos and two covers. But then
again, maybe this is just the right way to get to know the band, as
The Burning Halo displays both old and new sides of Draconian?
Draconian hails from Säffle in western Sweden, and consists of
seven musicians, including two vocalists. But while Anders Jacobsson
growls, Lisa Johansson has a crystal clear and beautiful voice. In terms
of the music, My Dying Bride feels like a fitting simile. As well as
Paradise Lost of course, who started their careers playing a mix of
doom and death, before switching gears to gothic metal, exactly the
same genres that Draconian has used to form a sound of their own.
With the exception of the covers, none of the songs on
The Burning Halo are shorter than five minutes, the longest being almost
ten. I find myself enjoying certain parts of most tracks, but rarely
a whole song. The piano-melodies that pop up here and there are always
enchanting, and the parts where Lisa Johansson sings are easily the
best on the album, but it's simply not enough. I don't mean to piss
off all the Draconian-fans out there, but the growls mostly annoy me
and I would rather see that they were left out. Also, the generally
slow pace means that this is not for the impatient.
The songs Serenade Of Sorrow, The Morningstar and The
Gothic Embrace are all originally from Draconian's 1999-demo The Closed
Eyes Of Paradise. Apparently the band recorded new versions of these
tracks since the fans demanded it, and when listening to Serenade Of
Sorrow I can see why the requests were many. The opening has a higher
tempo than the rest of the material, with dramatic strings that would
make Nightwish green with envy, and the rest of the track is neat as
well. Hopefully the band will choose this path more often in the future.
Unfortunately the two cover songs (by Ekseption and Pentagram)
are just moderately exciting, which ends this so called "bonus
album" on a bad note. Otherwise, the production is flawless, and
fans of the band and this genre will most likely need to purchase this.
See
also review of: Turning
Season Within
Production
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Vocals
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Compositions
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Summary
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