Lord Dying - Summon The Faithless
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Published July 20 2013
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*=Staff's pick
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In A Frightful State Of Gnawed Dismemberment*
Summoning The Faithless*
Greed Is Your Horse
Descend Into External
Dreams Of Mercy*
Perverse Osmosis
Water Under A Burning Bridge
What Is Not
Is
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Genre |
Sludge Metal |
Jonathan Reid/Erik Olson
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Vocals
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Tracks |
8 |
Chris Evans
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Guitar
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Running time |
40 Min. |
Erik Olson
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Guitar
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Label |
Relapse
Records |
Don Capuano
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Bass
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Release |
08 July 2013 |
Jonathan Reid
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Drums
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Country |
USA |
-
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Keyboard
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Producer |
- |
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Similar artists |
High On Fire,
Mastodon |
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The heavy rhythms and sheer force of High On Fire combined
with the intricate melodies of Mastodon. That is how I briefly would
describe how Summon The Faithless sounds. It is the first album from
Oregon sludge metallers Lord Dying, released after touring the US with
renowned bands such as Ghost and Down.
The first two songs are a strong start to the album, with
heavy riffs and some guitar melodies that remind me of technical American
death metal bands such as Dying Fetus. The rhythm section is the foundation
upon which the guitars roam, without straying too much from the slow,
chugging sludge groove. However, I don't know if it's actually because
the first two songs are the best or because most of the songs sound
pretty similarly, but from the third song and onwards I have troubles
keeping my interest up. Furthermore, apart from seemingly have been
written by the same formula, most of the songs are in pretty much the
same tempo.
Overall I would say that Summon The Faithless is an okay
album with many good components - when the riffs are good they are indeed
pretty darn good, Dreams Of Mercy being an excellent example of this.
At the same time some other things aren't really top notch - I can't
say that the vocals are anything special and many drum fills sound a
little underwhelming.
So, although there are some things I really enjoy with
Summon The Faithless, I get the feeling that I'm listening to the same
song over and over and I quickly lose interest. Similarly with High
On Fire's and Mastodon's first albums, Summon The Faithless strikes
me as something of a rough diamond. While it might not be a great album
in itself, it shows promise for the future.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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