Mike Lepond's Silent Assassins - Mike Lepond's
Silent Assassins
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Published October 11 2014
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*=Staff's pick
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Apocalypse Rider
Red Death*
The Quest*
The Outsider
Masada
Silent Assassins
Ragnarok
The Progeny
Oath Of Honor*
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Genre |
Heavy Metal |
Alan Tecchio
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Vocals
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Tracks |
9 |
Michael Romeo
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Guitar
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Running time |
57 Min. |
Metal Mike Chlasciak
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Guitar
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Label |
UDR |
Mike LePond
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Guitar
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Release |
26 September 2014 |
Mike LePond
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Bass
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Country |
USA |
M. Romeo (programmed)
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Drums
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Producer |
Mike LePond |
Michael Romeo
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Keyboard
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Similar artists |
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This is the first solo effort by Symphony X's talented
bass player Mike LePond. He has, perhaps rather unsurprisingly, decided
to put a distinct bass sound to most songs and the bass is also pushed
a little bit higher in the mix. I generally have to compliment him on
his choice, although it might seem like it's really some sort of an
ego boost of his. I really like the sound of the bass having a more
prominent position in heavy metal though, since it quite often in this
day and age isn't given the power to stand on its own anymore.
Reportedly this record is built on his own past and present
influences. Occasionally this matter is pretty evident throughout the
disc, although it certainly doesn't have a negative effect on the end
result. Quite frankly, much of these small similarities to other stuff
is perchance a little borrowed and definitely not stolen, the way I
see it. Even if this effort naturally isn't groundbreaking, I still
think LePond, who personally wrote all music and lyrics, is a little
innovating when he's pulling the strings to create new songs out of
supposedly old things.
We're offered 9 songs and to summarize, 8 of them mainly
belong in the heavy metal vein with a few elements of US power metal
and the residual track is a ballad called Masada. The skilled bass player
is able to get a solid groove to the songs, but still I miss the last
drops to make the album hit hard. It has to me no fillers or songs that's
clearly inferior to the rest. Nevertheless it fails to convince me of
its total greatness, since I miss the huge songs that can make a record
jump from rather good to great or even to awesome. On the whole, a satisfying
effort without killing edge.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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