Chthonic - Seediq Bale
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Published March 16 2007
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*=Staff's pick
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Progeny Of Rmdax Tasing*
Indigenous Laceration*
Enthrone
Bloody Gaya Fulfilled*
The Gods Weep
Where The Utux Ancestors Wait
Exultant Suicide
Banished Into Death
Quasi Putrefaction*
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Genre |
Black Metal |
Freddy
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Vocals
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Tracks |
11 |
Jesse
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Guitar
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Runningtime |
43 Min. |
Su-Nung
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Violin
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Label |
Down
Port Music |
Doris
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Bass
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Release |
16 March 2007 |
Dani
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Drums
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Country |
Taiwan |
CJ
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Keyboard
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Similar artists |
Dimmu Borgir,
Cradle Of Filth |
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We've been seeing more and more bands from the Eastern
parts of the world recently; bands that have already conquered their
native lands and are now out to break the Western music-market. Japanese
bands are for example more common now than they used to be, but Taiwan
is still a country that you normally don't associate with heavy metal.
Chthonic aims to change all that. This sextet have released four albums
so far and are immensely popular in their home country, but do they
have what it takes to impress the critical Western listeners?
However, Chthonic has one advantage over most other Asian
bands: they play black metal, and it doesn't sound much different from
their equals here in Scandinavia. Dimmu Borgir and Cradle Of Filth are
the most obvious influences, and if you consider how great they are
doing here at the moment, Chthonic should have a fair chance at building
a fan base in these parts of the world as well. All the classic ingredients
are there: harsh growls, blast beats, orchestrated parts, wild and crazy
keyboard-solos, soothing female vocals and disturbing lyrics.
What separates Chthonic from the rest of the black mass
is that they incorporate their own elements into the story. The theme
of the album is about the genocide of the Taiwanese tribe called Seediq
Bale, which means that the violent lyrics doesn't feel out of place
on a black metal-album. Also, one of the band members plays a Taiwanese
two-stringed violin called Er-Hu, an instrument that is mostly played
on funerals in Taiwan. This certainly adds a sorrowful dimension to
the sound, like on the standout opener Progeny Of Rmdax Tasing.
It occasionally appears like the band looses focus and
merely creates creepy moods instead of thoroughly great songs, but luckily
most compositions are right on point. And when the superb finisher Quasi
Putrefaction has faded out, you kind of feel that this is only the beginning
of Taiwan's journey on the metal fields.
See
also: interview
with Chthonic
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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