The Storyteller - Sacred Fire
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Published March 01 2015
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*=Staff's pick
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As I Die
One Last Stand
Sacred Fire
Ferryman
Serpent Eyes
Sons Of The North*
In Search For Treasures, Stones And Gold
Coming Home
The Army Of Southerfell*
Curse Of The Seven Seas
Let Your Spirit Fly
God Of War
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Genre |
Power Metal |
L-G Persson
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Vocals
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Tracks |
12 |
Jacob Wennerqvist
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Guitar
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Running time |
52 Min. |
Marcus Backlund
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Guitar
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Label |
Black
Lodge Records |
Henrik Brannerydh
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Bass
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Release |
27 February 2015 |
Martin Hjerpe
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Drums
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Country |
Sweden |
-
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Keyboard
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Producer |
The Storyteller |
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Similar artists |
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Initially released in certain territories via Dark
Legacy Music on November 28th 2014.
After being on hiatus earlier for well over a half decade,
Sacred Fire marks The Storyteller's sixth album in total and its second
effort since the band's return in 2013 with the album Dark Legacy. This
Swedish unit seemed to have the road to success already sealed and delivered
with its debut during the power metal wave. For various reasons things
obviously really didn't pan out the way expected and one reason being
that the first wave more or less self executed due to its surging amount
of bands in the genre.
The Storyteller mainly plays a kind of easy-going melodic
power metal with a rather clear heavy metal appearance involved in a
number of songs too. I don't know if this coming part really makes any
sense at all, but I hope that you get the point when I label L-G Persson
as basically a typical power metal singer, but without him using high-pitched
vocals too repeatedly. An input of a few medieval elements also cements
the status of them being an act that follows the water to the seas and
this unit never really made themselves a name on the scene by coming
out extremely powerful, but more traditional with an urge to present
a catchy overall performance.
Still to this very day, all these signs are highly evident
and focus is definitely set for melodies and building room for harmonic
guitar play. The songs are in a way a little recognizable when looking
at the band's previous work, but the guys have still managed to come
out with some new things to make themselves current and not a complete
replica of the past. I don't see this record as something utterly impressive,
but a pair of songs indeed has the capacity to take this record to a
pretty good outcome after all.
See
also review of: Underworld
, Crossroad
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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