Ex Deo - Romulus
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Published October 25 2009
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*=Staff's pick
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Romulus
Storm The Gates Of Alesia*
Cry Havoc
Surrender The Sun
Invictus*
The Final War (Battle Of Actium)*
Legio XIII*
Blood, Courage And The God's That Walk The Earth
Cruor Nostri Abbas*
In Her Dark Embrace
The Pantheon (Jupiter's Reign)
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Genre |
Epic Death Metal |
Maurizio Iacono
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Vocals
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Tracks |
11 |
Stéphane Barbe
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Guitar
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Runningtime |
62 Min. |
Jean-Francois Dagenais
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Guitar
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Label |
Nuclear
Blast |
François Mongrain
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Bass
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Release |
19 June 2009 |
Max Duhamel
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Drums
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Country |
Canada |
Jonathan Leduc
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Keyboard
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Similar artists |
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Ex Deo is the side project of Maurizio Iacono, more known
to most people as the vocalist of the canadian death metal band Kataklysm.
It started as a way of developing more of an artistic side of things
which was not possible in his main band. Romulus is the debut album
and is based entirely around the history of the Roman Empire, featuring
guest appearances by Karl Sanders (Nile), Obsidian C. (Keep of Kalessin)
and Nergal (Behemoth).
You can definitely, and not surprisingly, hear traces
of Kataklysm in this and especially in production and vocals, even though
Iacono does not come out as good here as he does in Kataklysm. This
is however quite a bit more modest in tempo and is instead built up
around a massive amount of epicness to fit the lyrical concept. I think
they have managed to capture the atmosphere and the feeling of being
present on an actual ancient warfield brilliantly. If there ever existed
metal during the roman period, this is how it would have sounded.
The individual songs grind on in a similiar mid tempo
throughout the album, with tiny variations up and down along the way.
It is mighty, epic and some nice choruses and leads show up frequently
but I think the album is lacking something in the riff department. It
feels like something more could have been done there in order to take
it to the next level.
There are a few peaks (Storm The Gates Of Alesia and especially
the mid section with Invictus, The Final War and Legio XIII),
but really no outstanding cut on the album. On the other hand there
are not one filler to be found either, and at the end of the day Romulus
warrants a good hour of solid metal that grows on you by time. I don't
think it's fantastic but I can't stop listening to the album a few times
a week, at least. That must count for something.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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