The Black Dahlia Murder - Ritual
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Published July 20 2011
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*=Staff's pick
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A Shrine To Madness
Moonlight Equilibrium*
On Stirring Seas Of Salted Blood
Conspiring With The Damned
The Window
Carbonized In Cruciform
Den Of The Piquerist
Malenchantments Of The Necrosphere
The Grave Robber's Work
The Raven
Great Burning Nullifier
Blood In The Ink
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Genre |
Death Metal |
Trevor Strnad
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Vocals
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Tracks |
12 |
Brian Eschbach
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Guitar
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Runningtime |
45 Min. |
Ryan Knight
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Guitar
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Label |
Metal
Blade |
Ryan Williams
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Bass
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Release |
20 June 2011 |
Shannon Lucas
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Drums
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Country |
USA |
-
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Keyboard
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Producer |
Mark Lewis/Jason Suecof |
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Similar artists |
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I will not make a secret about me liking The Black Dahlia
Murder. A lot. It's very easy to like a gang that combines pure joy,
grind and a sense for melody as this band does. I first fell for the
band's more gnarly sides on breakthrough album Miasma and was totally
floored by Deflorate from 2009. That the group totally delivered live
has made me follow the band's exploits feverishly, which is why I became
as happy as a pig in horseshit when Ritual came along.
I was no less happy when I had a few listenings done -
what a development! Although the grindelement was there, I found so
much more; the feel of 6/8 in opening A Shrine to Madness that despite
back to back doublebassdrums from Shannon Lucas almost dances, Brian
Strnad's almost extraterrestrial ability to switch from deep growl to
high-pitched screaming and the fantastic joy in playing - a red line
through the record - made me think that I would not have been disappointed
if the band had stood on stage and played the record in its entirety.
The Ritual is a conceptalbum where the songs are part
of a greater idea, but naturally there are a few tracks that stand out
- already mentioned opener A Shrine To Madness, the single Moonlight
Equilibrium, The Raven, Den Of The Piquerist and Blood In The Ink are
all killer songs. It's very nice to discover that The Black Dahlia Murder
now has reached the level where they can write very strong songs that
manage to combine very gnarly playing and still make the record feel
at ease with plenty of melodic playing and finesse. This combination
makes it very probable for The Ritual to end up on my best of list for
2011.

See
also review of: Everblack
, Miasma
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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