Savatage - Return To Wacken
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Published June 27 2015
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*=Staff's pick
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Hall Of The
Mountain King*
Gutter Ballet
Believe
Chance
Edge Of Thorns*
The Wake Of Magellan*
Dead Winter Dead
The Hourglass*
Tonight He Grins Again
Prelude To Madness
When The Crowds Are Gone |
Genre |
Progressive Metal |
See review
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Vocals
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Tracks |
11 |
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Guitar
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Running time |
63 Min. |
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Guitar
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Label |
earMusic |
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Bass
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Release |
June 19, 2015 |
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Drums
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Country |
USA |
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Keyboard
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Producer |
Paul O'Neill |
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Similar artists |
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Lineup: Jon Oliva (Vocals and keyboards. Additional
guitars, bass and drums), Zak Stevens (Vocals), Chris Oliva, Chris Caffery
and Al Pitrelli (Guitars), Alex Skolnick (Additional guitars), Steve
"Doc" Wacholz and Jeff Plate (Drums) and Johnny Lee Middleton
(Bass).
To celebrate Savatage's return to Wacken Open Air in 2015,
an anthology is released, which supposedly is based on the band's setlists
on its 2 previous performances on the North German festival in 1998
and 2002 respectively. At first view at the front cover, I thought that
this was some kind of live recording since the title includes the name
Wacken and I know for sure that quite a few people already have made
the same mistake as I did.
In this day and age, is a best of album with enhanced
studio versions of the band's songs really something that can make your
money's worth? I know that a few fans definitely will be disappointed
when they put this release into their audio system, if they haven't
taken the time to really check out what's included on this disc before
purchase. Naturally people will associate the album title with something
recorded live and I think the label and the band should have used other
ways to boost their coming Wacken performance.
If I have a look on what's actually on the disc, it's
kind of obvious that many of the band's greatest and most celebrated
tracks are present, but at the same time I always felt that Savatage
was unable to really keep the momentum through longer periods of music.
I mean, it's awesome at best, yet it's kind of bland and strained occasionally
and also a little dull from time to time. Normally I would have rated
a release of this quality higher though, but c'mon, an album comprised
of studio versions with a title like this one. In my book, it's definitely
not okay.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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