Suffocation - Pinnacle Of Bedlam
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Published February 15 2013
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*=Staff's pick
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Cycles Of Suffering*
Purgatorial Punishment
Eminent Wrath
As Grace Descends
Sullen Days*
Pinnacle Of Bedlam
My Demise
Inversion
Rapture Of Revocation*
Beginning Of Sorrow
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Genre |
Death Metal |
Frank Mullen
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Vocals
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Tracks |
10 |
Guy Marchais
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Guitar
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Running time |
38 Min. |
Terrance Hobbs
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Guitar
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Label |
Nuclear
Blast |
Derek Boyer
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Bass
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Release |
15 February 2013 |
Dave Culross
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Drums
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Country |
USA |
-
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Keyboard
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Producer |
Joe Cincotta |
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Similar artists |
Immolation,
Dying Fetus, Cannibal Corpse |
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When the cover of Suffocation's seventh full-length, along
with teaser track 'As Grace Descends', was revealed I got scared, really
scared. The artwork was butt ugly and mostly resembled a cheap Job For
A Cowboy-rehash. The teaser track simply reeked of thrash and hardcore
influences. Would this be the end of yet another death metal behemoth?
Had Suffocation done the unspeakable and started cheating on me with
that bitch deathcore? Naturally, I prepared both the noose and the kool-aid
before I gave the album a first spin.
So how did it all end up? Well, I am still here, am I
not?! Actually 'Pinnacle Of Bedlam' shows Suffocation taking both some
steps back and a couple forwards. Continuing on the atmospheric journey
of 'Blood Oath', adding the intricate melodies of 'Souls To Deny' and
the technical extravaganza of 'Pierced From Within', it really is good
old Suffocation back behind the wheels. The modern influences are kept
to a bare minimum with the exception of the aforementioned track and
the still butt ugly album art. The band has also started to experiment
with slow atmospheric pieces, e.g the intro and outro of 'Sullen Days',
which is an unexpected, but welcome, addition to the deadly Suffocation
arsenal.
What really stands out though is the production. Gone
is the thick trademark wall of sound, replaced by a crisp, clear modern
production. At first I thought this basically brought the entire album
down but after a few listens I started to see what the band really is
onto. One cannot help but wonder though how this really strong material
would have sounded with a "classic" Suffocation-production.
Like all Suffocation albums 'Pinnacle of Bedlam' keeps growing with
each listen and for the moment this is their best effort since the under-rated
masterpiece 'Souls To Deny'.
2012 was the year the old titans showed the youngsters
how extreme metal really is done. 'Pinnacle Of Bedlam' surely display
that 2013 will follow that trend.

Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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