Sirenia - Nine Destinies And A Downfall
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Published Feb. 19 2007
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*=Staff's pick
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The Last Call
My Mind's Eye*
One By One
Sundown*
Absent Without Leave
The Other Side
Seven Keys And Nine Doors*
Downfall*
Glades Of Summer
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Genre |
Gothic Metal |
M. Pedersen/M. Veland
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Vocals
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Tracks |
9 |
Morten Veland
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Guitar
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Runningtime |
43 Min. |
Björn Landa
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Guitar
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Label |
Nuclear
Blast |
Morten Veland
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Bass
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Release |
23 Feb. 2007 |
Jonathan A Perez
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Drums
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Country |
Norway |
Morten Veland
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Keyboard
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Similar artists |
Tristania,
Nightwish |
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Six years ago, Morten Veland decided to part ways with
his former band Tristania, to pursue a career of his own in Sirenia.
While the two first albums with his new band didn't stray too far away
from the Tristania-formula, Veland has this time taken a much softer
approach. To sum things up, this is gothic metal meets Easy Listening
FM - and it's actually better than you'd think.
During the first couple of tracks, my impressions are
only of the positive kind. The arrangements are thoroughly well made,
the melodies have been carefully polished and the new singer Monika
Pedersen's voice is pleasing to the ears. The single My Mind's Eye is
especially successful, and should have the potential of becoming a radio-hit.
Then the problems with this release start to surface, and it's actually
the aforementioned things that I spoke well of that is the concern.
Firstly, the arrangements are too similar to distinguish
from each other, while the melancholic layers of melodies soon become
rather predictable. And after spending some time with Pedersen's brittle
vocals, you just want her to scream her lungs out for the very sake
of it. Veland's harsh vocals are a redeeming feature, which maybe could
have been used even more.
Quite unexpectedly the standout song of the album makes
an appearance towards the end of the album, right out of the blue. It's
a shame that Veland waits so long to unveil a track as great as Seven
Keys And Nine Doors, which has a magnificent chorus sung by a choir,
since many listeners might already have lost interest by then. Sirenia's
third album is an enjoyable listen from beginning to end, and there
are no particular songs to dislike, but I believe we should have the
right to demand even more from one of Norway's absolute finest.
See
also review of: The
Enigma Of Life
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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