Steel Panther - Lower The Bar
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Published March 24 2017
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*=Staff's pick
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Goin' In The
Backdoor*
Anything Goes
Poontang Boomerang
That's When You Came In*
Wrong Side Of The Tracks (Out In Beverly Hills)
Now The Fun Starts
Pussy Ain't Free
Wasted Too Much Time
I Got What You Want
Walk Of Shame*
She's Tight |
Genre |
Glam Metal |
Michael Starr
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Vocals
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Tracks |
11 |
Satchel
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Guitar
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Running time |
39 Min. |
-
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Guitar
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Label |
Kobalt
Music |
Lexxi Foxx
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Bass
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Release |
March 24, 2017 |
Stix Zadinia
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Drums
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Country |
USA |
-
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Keyboard
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Producer |
- |
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Similar bands |
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The American foul-mouthed institution Steel Panther continues
its well-established concept and I reckon that most people already know
what these
I was about to call them gentlemen, but that would
be quite odd, wouldn't it?
guys are all about by now. The band
comprises the same 4 familiar faces since 2003 and is one of few bands
out there that is able to keep its lineup intact for so long and that's
probably why they are able to stick to their guns through hell or high
water, but maybe also the reason to why no major changes are made musically
and to the whole appearance of the band.
The foundation stays solid in glam metal/rock of the 80's
and even if the actual music isn't a carbon copy of their past achievements
and a few elements and approaches are new to Steel Panther, it's yet
following the band's specific vein for the most part. It's simply put
just 10 new songs (plus one cover song) where they occasionally and
perhaps even accidentally borrow things from their previous records
and where they, unintentionally I hope, in some parts of certain songs
also come very close to stuff made by Warrant and Mötley Crüe
for instance.
If you possess some kind of humor at all and stand to
listen to simple platitudes as well as you don't take things all too
seriously, it's hard to not laugh or at least smile a little bit to
those dirty and provoking lyrics that have always been a characteristic
and essential key to the band's performance. It's also quite impressive,
I think, that they have the energy to put out lyrics within pretty much
the same topic on each and every album so far.
In terms of quality, the songs are jumping from peaks
to valleys all over the record. We get some really good songs where
the musical side is quite attractive and the lyrical part is amusing,
but there's also a bunch of tracks that pass by kind of unnoticed and
hence Lower The Bar doesn't have the capacity overall to level up with
its predecessor All You Can Eat. It's nevertheless a fairly good album
and the band will probably still hold its market share concert-wise
and have a decent amount of people coming down to the shows for a few
more years before this indecent ensemble eventually call it a day.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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