Lingua Mortis Orchestra feat. Rage - LMO
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Published August 13 2013
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*=Staff's pick
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Cleansed By Fire*
I) Convert The Pagans Pt. 1
II) The Inquisition
III) Convert The Pagans Pt. 2
Scapegoat
The Devil's Bride*
Lament
Oremus
Witches' Judge
Eye For An Eye
Afterglow
Straight To Hell
One More Time
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Genre |
Heavy Metal/Symphony |
Peavy Wagner
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Vocals
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Tracks |
10 |
Victor Smolski
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Guitar
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Running time |
66 Min. |
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Guitar
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Label |
Nuclear
Blast |
Peavy Wagner
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Bass
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Release |
02 July 2013 |
André Hilgers
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Drums
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Country |
Germany |
Jeannette Marchewka
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Vocals
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Producer |
Charlie Bauerfeind, V. Smolski |
Dana Harnge
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Vocals
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Similar artists |
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Ever since Victor Smolski's first involvement with Rage
in the late nineties, he has gotten more and more room to create music
from his fascinating and attractive guitar playing. With this release,
entirely written by the guitar virtuoso with lyrics from main man, veteran
and original member Peavy Wagner, he has written another chapter in
the Lingua Mortis suite, meaning orchestral arrangements on top of heavy
metal. I must admit that I never was a huge fan of these collaborations
with foreign elements, which the band first started a few years before
Smolski's entry.
Nevertheless, it's truly skilled playing throughout the
record with killer riffs and strong leads succeeding each other. Still
I miss the major part of that striking and straight kick ass heavy metal
from the early 2000's with the Unity and Soundchaser albums. Certainly
there's real heavy stuff present on LMO, but those parts are often overshadowed
by the more neat melodies accompanied by symphonic elements set pretty
high in the mix and this can sometimes feel like an annoying moment
instead of a captivating fusion.
Wagner's voice sounds pretty much like on the latest releases
and the female vocals are nothing but amazing, yet I feel the latter
somehow don't belong in metal. The record's foundations are great, yet
all difficult arrangements takes the killing edge of most songs. They
feel stretched to fit the symphony and not the other way around, with
the orchestra there to back up the metal. Surely this is not groundbreaking
news and I would be a total moron if I was caught by surprise over this
matter.
LMO is in no way a bad release, although my words above
perhaps aren't all flattering. The opener, Cleansed By Fire and also
The Devil's Bride and The Witches' Judge have what it takes. Still I
would have preferred hearing them with a more traditional heavy metal
approach. The middle section with the ballad Lament and the intermission
Oremus are there to complete the concept and after listening to them
a couple of times, I'm one inch from pressing the skip-button. The album
is closed by two re-arranged versions from Smolski's first Rage album,
Welcome To The Other Side, and those songs are both crushing, even though
I prefer the originals.
In conclusion. If you're a fan of heavy metal with brilliant
guitar playing blended with symphonic elements, this album will totally
rock your world. Since I basically am not, I can't hand out more than
6 chalices to a rather good album.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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