Scar Symmetry - Holographic Universe
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Published July 02 2008
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*=Staff's pick
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Morphogenesis*
Timewave Zero
Quantumleaper*
Artificial Sun Projection
The Missing Coordinates*
Ghost Prototype I (Measurement Of Thought)
Fear Catalyst
Trapezoid
Prism And Gate
Holographic Universe
The Three-Dimensional Shadow
Ghost Prototype II (Deus Ex Machina)*
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Genre |
Melodic Death Metal |
Christian Älvestam
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Vocals
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Tracks |
12 |
Jonas Kjellgren
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Guitar
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Runningtime |
59 Min. |
Per Nilsson
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Guitar
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Label |
Nuclear
Blast |
Kenneth Seil
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Bass
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Release |
20 June 2008 |
Henrik Ohlsson
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Drums
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Country |
Sweden |
-
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Keyboard
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Similar artists |
Strapping
Young Lad |
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It's quite hard to carve out your own niche in the rather
worn out genre of melodic death metal these days, but Sweden's Scar
Symmetry has arguably succeeded. On the debut Symmetric In Design they
appeared as above-average Soilwork-clones with a good sense for melody,
but they quickly turned more progressive on the flawed follow-up Pitch
Black Progress. Holographic Universe is their third album, and they
carry on like earlier albeit with a few changes. This is not a conceptual
album, but it becomes quite obvious that science fiction is a big inspirational
source, just look at the song titles for example. Also, some of the
keyboards simply ooze of sci-fi; the intro to the title track could
have come from the movie Blade Runner.
Holographic Universe represents the Scar Symmetry we know
by now, the guys seem obsessed by cramming as much into every single
song as possible. It would be nice however with some more subtle moments,
and the long running time is a concern. At almost one hour it becomes
obvious that a few tracks should have been left out, such as the rather
pointless pop-flirt Trapezoid for example. The production is of course
excellent, and for those who prefer complex guitar solos there is plenty
to like here.
Vocalist Christian Älvestam continues doing his beauty
and the beast-routine from the previous albums. It's strange; his growls
are actually one of the most brutal to be found in this particular genre,
and at the same time his clean vocals are so pleasing to the ear that
he should expect lots of phone calls from boyband-managers in the future.
Sometimes it works rather poor, however. On Fear Catalyst Älvestam
builds up a great atmosphere with rattling, guttural growls, and then
in a second ruins it all with vocals so cheesy that even Michael Bolton
would feel embarrassed. But for the most time the band gets the balance
right, luckily.
What really separates Holographic Universe from the disappointing
predecessor Pitch Black Progress is that the songs are so much better
here. The opener Morphogenesis deserves to be a big hit, while Quantumleaper
gains my interest since it reminds of my old favorite Reborn from Symmetric
In Design. If you enjoyed Scar Symmetry's previous releases, this is
a must-buy.
See
also review of: The Unseen
Empire , Pitch
Black Progress , Symmetric
In Design
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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