Sacred Steel - Hammer Of Destruction
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Published Dec. 31 2006
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*=Staff's pick
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Hammer Of Destruction
Where Demons Dare To Tread
Maniacs Of Speed*
Blood And Thunder
Impaled By Metal*
Descent Of A Lost Soul
Black Church
Generally Hostile (Jag Panzer Cover)
Plague Of Terror*
Sword And Axes*
The Torch Of Sin
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Genre |
Thrash/Power Metal |
Gerrit P. Mutz
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Vocals
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Tracks |
11 |
Jens Sonnenberg
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Guitar
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Runningtime |
48 Min. |
Jonas Khalil
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Guitar
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Label |
Massacre
Records |
Kai Schindelar
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Bass
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Release |
10 Nov. 2006 |
Mathias Straub
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Drums
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Country |
Germany |
-
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Keyboard
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Similar artists |
Wizard, Centvrion,
Exodus, Hirax |
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The sacred warriors of steel return truimphant and victorious,
willing, ready, and primed to conquer the throne of metal with swords,
axes, and the hammer of destruction. These maniacs of speed, mayhem,
and sacred bloody steel spread the plague of terror, raising the stakes;
where demeaning poseurs dare to tread, only to become impaled. The iron
blessings from these wargods of metal are purebred bloodlust, quaking
with thunder, pounding infernal hate. One year ago, I was quite dismayed
to discover that Jorg M. Knittel and Oliver Grosshans had defected to
focus on My Darkest Hate. I thought that this signified the demise of
the crusaders of the metal blade. I'm pleased to acknowledge that this
evidently was not the decisive conclusion. Gerritt P. Mutz refused to
allow this tragedy divide his true force of iron glory. Determined and
resolute to never diappoint his army of metalheads, he had Jens Sonnenberg
move up to playing guitar from bass, and subsequently hired Lanfear
bassist Kai Schindelar. Jonas Khalil was appointed as second guitarist;
while the iron legions quickened the skull crushing ballistic drums
skills of the mystic prophet - Mathias Straub.
Next he summoned Harris Johns to create that old school
mega-thrashing production. This whole CD echoes the 80's with furious
speed, ascendant solos, hilarious intros/outros, and a kitsche vinyl
aesthetic. Hell, in an interview with his unholy majesty, Mr. Mutz admitted
to suggesting that the CD be a dual disc with songs on both sides, but
the record company felt that would be too expensive. Sacred Steel settled,
then, on vinyl turntable scratchings at the beginning and end of the
CD, with artwork on the disc depicting a record. The metal knights,
instead, chose to honour their loyal fans by creating a box set limited
to 1000 copies with a bonus disc of thrash covers by Death, Raven, Nasty
Savage, Tankard; rare and unreleased tracks; a signed band photo; and
a stitched jacket patch. The Pounding Inferno cover photo is a toxic
array of metal archives and collector nostalgia consisting of old and
new prized relics. The lyrics to Pounding Inferno all name bands which
Sacred Steel worship in the Metalucifer fashion. With this fan fair,
the battle angels of sanctuary have fulfilled their slaughter prophecy
- proving that metal reigns supreme!
As the CD begins its violent force rotation replete with
the sticking needle sound, the thrashing commences! The storming title
track recalls vintage Slayer, Exodus, and Dark Angel. Maniacs Of Speed
which is also included as a bonus video is a totally ripping anthem,
upholding the truth that that metal is war! Blood And Thunder echoes
and reverberates the Manowar/Majesty, MettleAngel motif with allusions
to older Sacred Steel songs. Impaled By Metal is a real scorcher like
early Agent Steel, Savage Grace, and Lizzy Borden. The lyrics say it
all: "If metal's dead - the dead walk the earth...". Sacred
Steel defer to all things metal as evidenced by tracks like Where Demons
Dare To Tread and The Torch Of Sin. Plague Of Terror channels the energy
of Tankard, Sodom, and Wizard, while Swords And Axes, with its live
approach, is truly blessed by the iron gods of steel: "Heart -
Soul and Mind - Hellbent for Metal! Metal is Life - Metal's Alive!"
Just like covering Omen in the past, Jag Panzer is revered with a version
generally more hostile and faster than the original.
Many power thrashing maniacs of speed mock Sacred Steel
owing to Mutz's musty and scathing vocals. It's the same with Italy's
Centvrion who shred, but are hampered by their horrible frontman Germano
Quintaba's screeching and wheezing. Truly, Mutz vocals are shrill and
piercing, and at times even brutal; still he is an accomplished afficianado
who intuits metal's majesty, using his vocal chords appropriately and
accordingly. He dubs himself the communicative siren channel. Either
way, his range recoils like Katon of Hirax, or John Cyriis of Agent
Steel handing over the sceptre. I detect just a touch of sinful sampling
from Lizzy Borden as well. Even if his singing rites do not suffice,
the music of Sacred Steel is pure dark force aggression. The only slower
epic track is Black Church. There are no ballads or bull$hit. So heed
the battle cry, raise the metal fist, open wide the gates - crush the
holy - save the damned, and prepare to become impaled by heavy metal
to the end!

See
also review of: Slaughter
Prophecy
Production
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Vocals
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Compositions
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Summary
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