Girlschool - Guilty As Sin
|
Published November 13 2015
|

*=Staff's pick
|
Come The Revolution*
Take It Like A Band
Guilty As Sin
Treasure*
Awkward Position
Staying Alive
Perfect Storm
Painful
Night Before*
Everybody Loves (Saturday Night) |
Genre |
Hard Rock/Heavy Metal |
Kim McAuliffe
|
Vocals
|
Tracks |
10 |
Enid Williams
|
Vocals
|
Running time |
35 Min. |
Jackie Chambers
|
Guitar
|
Label |
UDR/Warner |
Kim McAuliffe
|
Guitar
|
Release |
November 13, 2015 |
Enid Williams
|
Bass
|
Country |
England |
Denise Dufort
|
Drums
|
Producer |
Chris Tsangarides |
|
Keyboard
|
Similar artists |
--- |
|
It seems like Girlschool has been around, in way or another,
since the first seconds after the Big Bang and yet is my knowledge of
the band's past achievements almost down to nothing, although they're
now releasing their 13th album to date. Like many people who dig heavier
styles of music, I've heard a couple of songs of this band here and
there and I reckon that I remember them mostly for being some chicks
who hung out with Motörhead's classic lineup in some pictures in
a few magazines back in the day.
As an entirety, the song material on Guilty As Sin is
actually rather poor and my thoughts instantly tell me that this band
is very much in need of better songwriting skills to be able to put
out an overall valid or intriguing release. They are neither really
capable of bringing forward their old school street metal in a way that
I find relevant and in the end I can only find some stuff occasionally
that has the power and the kick-ass feel to attract my interest. Like
most songs on the album, the band's cover version of Bee Gees' classic
song Staying Alive doesn't work out that well either, even if it's perhaps
not a worse experience than the original.
Besides a couple of decent moments, most of these somewhat
punk influenced traditional metal songs come out with a certain lack
of strength, quality and energy and they kind of end up in a vapid and
dull environment for the most part. I don't see this release as an utterly
piss-poor effort, but as you have already figured out of course, it's
nothing that I fancy at all. It doesn't fit my expectations of a nice
and handsome record and most likely Girlschool will still be a band
that's forever dwelling in the lower outskirts of heavy music.
See
also review of: Legacy
Performance
|
Originality
|
Production
|
Vocals
|
Songwriting
|
|
|
|
|
|
|
Summary
|
|