Mortal Love - Forever Will Be Gone
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Published Nov. 16 2006
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*=Staff's pick
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I Make The Mistake*
Of Keeping The Fire Down
While Everything Dies
My Shadow Self*
In The End Decides
To Choke You Now
So I Betray The Mission
Still It Has Only Just Begun
As We Can Not Be One
Forever Will Be Gone*
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Genre |
Gothic Metal |
C. Nyland/Hans Olav K.
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Vocals
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Tracks |
10 |
Lars Baek
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Guitar
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Runningtime |
40 Min. |
-
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Guitar
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Label |
Massacre
Records |
H-O Kjeljebakken
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Bass
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Release |
22 Sept. 2006 |
Pål Wasa Johansen
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Drums
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Country |
Norway |
Mulciber
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Keyboards
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Similar artists |
Beseech |
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When sitting on the commuter train on your way home, checking
out the gray landscape that passes by the window, it's hard to argue
against the type of soundtrack that Mortal Love offers. The melancholic
guitar lines, ethereal vocals and pianos that constantly go in minor
key sums up exactly how I feel inside on a dreary November day. This
Norwegian quintet hereby releases Forever Will Be Gone, which apparently
is the final part in a trilogy that also consists of the albums All
The Beauty
(2002) and I Have Lost
(2005). Attentive readers
might also notice that the track-list reads like a poem, proof enough
that this band has pretentious ambitions.
Playing a gothic take on metal, as well as letting the
two vocalists Catherine "Cat" Nyland and Hans Olav Kjeljebakken
share the microphone, unavoidably invites to comparisons with the recently
disbanded Swedish band Beseech. Just like the case with that band, the
female vocalist is arguably the strongest asset. Nyland comes off as
a close relative to big names like Sharon Den Adel (Within Temptation)
and Liv Kristine (Leaves' Eyes), and does an amazing job on tracks like
My Shadow Self and the adorable I Make The Mistake. Kjeljebakken is
not nearly as prominent and mostly whispers his way through the record,
although his growls on the epic title track, which flirts a bit with
Cradle Of Filth, works great.
It's just too bad that the above-mentioned tracks are
rather sole in terms of greatness. Much of the material feels unfocused
and bland, and a few tracks (like In The End Decides and As We Can Not
Be One) are downright pointless. It sounds somewhat like Rammstein's
gothic trips on their latest album Rosenrot, but not nearly as convincing.
And it just feels improper that Kjeljebakken starts singing in German
all of a sudden. Hence the Rammstein-connection, perhaps?
When Beseech decided to call it quits they left a void
after them. Mortal Love are not ready to fill the gap yet, but give
them a few years and they might be ready to pick up the torch.
Production
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Vocals
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Compositions
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Summary
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