Devin Townsend Project - Epicloud
|
Published September 26 2012
|

*=Staff's pick
|
Effervescent!
True North
Lucky Animals
Liberation*
Where We Belong
Save Our Now
Kingdom
Divine
Grace
More!
Lessons
Hold On*
Angel
|
Genre |
Metal |
D. Townsend/A. van Giersbergen
|
Vocals
|
Tracks |
13 |
Devin Townsend
|
Guitar
|
Running time |
50 Min. |
Dave Young
|
Guitar
|
Label |
Inside
Out Music |
Mike Young
|
Bass
|
Release |
24 September 2012 |
Ryan Van Poederooyen
|
Drums
|
Country |
USA |
Devin Townsend
|
Keyboard
|
Producer |
Devin Townsend |
|
|
Similar artists |
--- |
|
Epicloud shows a blend of styles. There's fragments of
disco, pop rhythms, hard rock, an ounce of thrash and parts with heavy
metal. It feels like I could go on forever with this list, but to catch
your interest, I certainly won't. Its epicness and its diversity sometimes
makes me sick, as it has no clear or straight line to follow and you
don't know what to expect next. On the other hand, the distance to reason
makes it somehow pretty worth listening to. This is of course no major
news to the fan and to people who are familiar with his past work, as
Mr. Townsend is rather well known for his variety in music.
With one male and one female vocalist, it builds up an
even more bombastic, vivid and colorful touch. The Dutch and former
The Gathering singer Anneke van Giersbergen gets a chance to prove that
she has a pretty wide range and does not just function as a single tone
vocalist doing the more beautiful parts, as the metal scene is well
known for when female singers are present. Usually their duties are
used more as a backup, singing the ballads and lurking somewhere deep
in the mix. On a couple of songs though, she's clearly number two and
to be a bit grumpy, I'm not sure I dig the parts where she sings like
a ten year old school girl.
Many songs makes me smile, like the happy and uplifting
Liberation as well as Hold On; a beautiful ballad with an exploding
chorus. A few tracks, or rather parts of those tracks, are utter crap.
Save Our Now feels inept with its clear vibes of twenty-five year old
pop, but then again, this is what makes Townsend's music to what it
is. Fifty minutes of this epic and monumental variation seems a bit
long, as it sometimes has a wearisome effect, but you shouldn't take
too much notice of my complaints anyway, as this record actually is
pretty good when it comes to the final result. Then how to categorize
this type of music? Well, I sure as hell don't know, so I'll take the
easy way out. Let's file it under Metal.
Performance
|
Originality
|
Production
|
Vocals
|
Songwriting
|
|
|
|
|
|
|
Summary
|
|