Def Leppard - Def Leppard
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Published November 03 2015
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*=Staff's pick
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Let's Go*
Dangerous*
Man Enough
We Belong
Invincible
Sea Of Love
Energized
All Time High*
Battle Of My Own
Broke 'N' Brokenhearted
Forever Young
Last Dance
Wings Of An Angel*
Blind Faith |
Genre |
Rock |
Joe Elliott
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Vocals
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Tracks |
14 |
Joe Elliott
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Acoustic Guitar
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Running time |
55 Min. |
Phil Collen
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Guitar
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Label |
earMUSIC |
Vivian Campbell
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Guitar
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Release |
October 30, 2015 |
Rick Savage
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Bass
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Country |
England |
Rick Allen
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Drums
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Producer |
Def Leppard w/Ronan McHugh |
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Keyboard
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Similar artists |
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Def Leppard's 11th album takes off with 2 songs in the
band's late 80's/early 90's style and my expectations suddenly get set
a lot higher and I instantly have dreams of that this type of guitar
playing and that these kind of melodies will continue in this way all
throughout the disc. A few songs later, my hopes for some kind of full
rebirth is denied big-time and I'm trying to figure out why this outfit
doesn't write, more or less, an entire record packed with older type
of songs, since they obviously still have the skills to do it and it's,
at the end of the day, where their efforts come out in best possible
way.
Already with the 3rd track, Man Enough, even if that one
in particular contains groovy bass lines, they end up in some kind of
pop-rock oriented marshland and the record takes a big leap downhill.
The rest of the album comprises, which I believe is important to point
out, a pair of really good tracks, which, probably not by chance, happens
to be the ones with a bigger amount of hard rock perspectives, but also
quite many songs that are just too mellow to get this thing really going.
When they try to bring forth some inventive and experimental stuff,
they can't convert either and some of the songs are utterly bad, although
this last part fortunately is just covering a small percentage of the
record.
I think that this is just another album of the British
rock giants that they barely will play anything live off after their
next coming touring cycle. I really feel that it's such a drag that
they don't seem to want to come out with music that holds a high validity.
To see them go back to the times of Pyromania and earlier is definitely
not something I would expect, but apparently they are still able to
make awesome songs, since some sections of the disc so clearly reflect
a period where the band's music, in comparison to this present day,
was in fact a far greater experience to listen to.
This record is undoubtedly not a great example of something
that has an even quality. It has an explicable variety of songs, all
the way from the deepest gutters up to almost hitting the top of their
past achievements. I don't see this self titled album as a lame effort
overall, but as with so many other records by veteran bands, there's
often a strong desire within me, and within many other fans as well
I guess, that they will manage to come out with material which at least
comes pretty close to what they once were able to produce, instead of,
like now, just release a pretty okay record in the end.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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