Level 10 - Chapter One
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Published January 27 2015
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*=Staff's pick
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Cry No More
Soul Of A Warrior
When The Nighttime Comes*
One Way Street
Blasphemy
Last Man On Earth
In For The Kill*
Voice Of The Wilderness
All Hope Is Gone
Demonized*
The Soul Is Eternal
Forevermore*
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Genre |
Heavy Metal |
Russell Allen
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Vocals
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Tracks |
12 |
Roland Grapow
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Guitar
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Running time |
55 Min. |
Alex Beyrodt
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Guitar
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Label |
Frontiers
Records |
Mat Sinner
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Bass
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Release |
23 January 2015 |
Randy Black
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Drums
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Country |
International |
Alessandro Del Vecchio
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Keyboard
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Producer |
Mat Sinner |
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Similar artists |
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Another project in the vast jungle of new heavy metal
projects. This time we have German bass player, songwriter and producer
Mat Sinner [Primal Fear, Sinner] and American vocalist Russell Allen
[Symphony X, Adrenaline Mob, Allen/Lande] putting their magic structures
together and release an album as the highly international unit Level
10.
Although there are many Primal Fear members involved with
this album, as its songwriting credits partly also goes to its guitarist
Magnus Karlsson and its vocalist Ralf Scheepers and the guitars are
partly played by Alex Beyrodt and the band's former drummer Randy Black
is delivering his goods, the songs mainly don't have much in common
with that band actually. Add guitarist Roland Grapow [Masterplan, formerly
of Helloween], whom recently released an album with Serious Black, and
keyboard player Alessandro Del Vecchio [Hardline] and this is really
a fine combination of musicians.
What we have here musically is more or less an easy going
heavy metal experience with strong influences of traditional hard rock.
The riffing is kinda melodic in its nature, but the overall music is
more set to a form a groovy atmosphere around Russell Allen's powerful
appearance. His voice is definitely a ruling factor and even if the
songs aren't totally enthralling and don't come out heavy punching enough,
Allen's voice does.
Most of the disc's material is definitely good, but I
don't get those streams of excitement rushing through my veins when
I listen to it. The album somehow doesn't make any greater impressions
on me at the end of the day, which really is the exact opposite of what
I thought before listening to this one for the first time. I feel that
the songs basically have huge potential to come out strong, but somewhere
along the road this constellation kind of loses the ability to really
take the songs to the top floor.
I really don't know why I don't fall in love with this
record, because supposedly I believe that I should and perhaps you should
give it a go anyway, since 6 chalices is a rather fine outcome nevertheless.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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