Scott Weiland And The Wildabouts - Blaster
|
Published March 29 2015
|

*=Staff's pick
|
Modzilla*
Way She Moves
Hotel Rio*
Amethyst
White Lightning
Blue Eyes*
Bleed Out
Youth Quake*
Beach Pop
Parachute
20th Century Boy
Circles
|
Genre |
Rock |
Scott Weiland
|
Vocals
|
Tracks |
12 |
Jeremy Brown
|
Guitar
|
Running time |
46 Min. |
-
|
Guitar
|
Label |
EarMusic |
Tommy Black
|
Bass
|
Release |
March 27, 2015 |
Danny Thompson
|
Drums
|
Country |
USA |
-
|
Keyboard
|
Producer |
Rick Parker |
|
|
Similar artists |
--- |
|
The versatile and former Stone Temple Pilots and Velvet
Revolver singer Scott Weiland releases another solo effort, now including
the name of his band The Wildabouts too. Despite the man's turbulent
history, his frequent slips of the tongue and his sometimes rude and
uncontrolled behavior, he has always in some weird and particular way
remained somewhat relevant, but at this point I wonder if he still will
be able to keep up his appearance for many years to come, because Blaster
mainly shows a man trying to relive his past, as far as I'm concerned.
The total production is highly resemblant to sounds and
effects created decades ago and a big part of the material seems to
run a little on idle or automatic and I miss the badass attitude and
the comprehensive passion that earlier made Weiland's efforts into something
valuable and desirable. The songs definitely are all right almost all
throughout the record, but still Hotel Rio is factually the only song
that makes me really wanna get up and move to the music and personally,
which you may ignore, I really loathe the cover song 20th Century Boy.
The performance of the band is solid, although miles away
from groundbreaking, and I positively enjoy the way the bass often is
strongly audible in the mixing. I have indeed listened to this effort
thoroughly during the last 2 months and I'll tell you it's a fine line
between complete success and something decent. It kind of sounds like
before, yet it doesn't have the capacity to crash itself through my
barriers. I won't come out and say that the result is anywhere close
to a bad effort, but since it just can't make me rock in a way that
I'm supposed to, my final rating has to stay at 6 fairly good chalices.
Performance
|
Originality
|
Production
|
Vocals
|
Songwriting
|
|
|
|
|
|
|
Summary
|
|