Iron Fire - Blade Of Triumph
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Published Sept. 07 2007
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*=Staff's pick
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Dragonheart
Bloodbath Of Knights
Dawn Of Victory
Lord Of The Labyrinth*
Bridges Will Burn
Follow The Sign*
Steel Invaders*
Jackal's Eye
Legend Of The Magic Sword*
Gladiator's Path
Blade Of Triumph
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Genre |
Power Metal |
Martin Steene
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Vocals
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Tracks |
11 |
Jobbe J.
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Guitar
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Runningtime |
55 Min. |
Kirk Backarack
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Guitar
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Label |
Napalm
Records |
Martin Lund
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Bass
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Release |
29 June 2007 |
Jens Berglid
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Drums
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Country |
Denmark |
-
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Keyboard
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Similar artists |
Hammerfall,
Dream Evil |
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Many bands go through rough and difficult times. But still
few can match the turmoil that Iron Fire has been through since the
debut Thunderstorm (2000). The band has changed more members than Megadeth,
in less than a third of the time. But the main man Martin Steene always
returns, with new strength - and a new band lineup. I was rather impressed
by last year's Revenge. It felt vital, inspired and simply was what
it was called. Now Iron Fire follow it up with Blade Of Triumph. Suddenly
I'm not that impressed.
It is the same sound, basically, and - strangely enough
- it is the same guys. For the first time in the band's history two
recordings have passed without any lineup-changes at all. But the little
spice, the little sense of revenge, is just not there anymore. Great
songs, but where are the mad balls? Does Steene need to be really pissed
to reach that extra level?
Anyway, the intentionally cliché titles and lyrics
are worth an extra point. Just taste the titles of Bloodbath Of Knights
and Legend Of The Magic Sword. About my favourites: Lord Of The Labyrinth
is a Rhapsody flavoured medieval ballad. Follow The Sign is the first
sign of hope of a definite take off, with its catchy chorus. Steel Invaders
has also that kind of imminent chorus, and stands as my absolute favourite
even after a few listenings.
Legend Ot The Magic Sword is the fairytale ballad, which
grows for every time you give your ears to it. But generally the choruses
never reach the impressive level of Revenge, where almost everyone was
a killer. What is most positive in the end is Martin Steene's voice.
He has an originality to it that actually few metal singers achieve.
He definitely avoids getting stuck in the high pitch 'Kiske' style of
singing, but varies his efforts very skilful between high and low.
See
also review of: To The Grave
, Revenge , Thunderstorm
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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