Act Of Defiance - Birth And The Burial
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Published September 14 2015
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*=Staff's pick
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Throwback
Legion Of Lies
Thy Lord Belial
Refrain And Re-Fracture*
Dead Stare
Disastrophe (A New Reality)
Poison Dream*
Obey The Fallen
Crimson Psalm
Birth And The Burial |
Genre |
Thrash Metal |
Henry Derek
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Vocals
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Tracks |
10 |
Chris Broderick
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Guitar
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Running time |
47 Min. |
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Guitar
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Label |
Metal
Blade |
Matt Bachand
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Bass
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Release |
August 21, 2015 |
Shawn Drover
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Drums
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Country |
USA |
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Keyboard
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Producer |
Chris "Zeuss" Harris |
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Similar artists |
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Since I had not heard a single tone of this recently formed
band before I started to listen to Birth And The Burial and I had neither
barely read anything as well, except that this unit includes two former
Megadeth members, a former vocalist of Scar The Martyr and a Shadow's
Fall guitarist now functioning as this band's bassist, I must say that
the musical direction comes out as somewhat a surprise to me, because
it's definitely more brutal on several moments than what I first expected
of it.
A lot of people will probably assume, like I wrongly or
simplistically did, that this music mostly will target listeners of
Megadeth, since it's the most known band of the member's past, but Act
Of Defiance unquestionably takes the major part of things one or two
steps heavier into a more raging overall appearance. Although the record
holds some variation, it's not something that I would like to call a
varied experience, because these guys certainly know how to come out
crushing and therefore a lot of the contents at first glance look pretty
forged in one piece.
The vocals of Henry Derek are to most extent violent and
angry and I kind of have a hard time to really grow fond of what he
presents on this album. I think some of his guttural work feels strained
and a little incapacious, whilst I at the same time frankly think that
he's more capable of coming out tenable with his cleaner vocals. The
guitar playing of Chris Broderick is nevertheless quite remarkable to
my ears, because I really like the way that he projects his heavy riffing
and his tones full of hooks.
As a whole, I actually prefer the less rabid songs, where
the band in my eyes manages to find its most accurate results in the
music. None of this record is bad, but still they aren't really able
to execute when push comes to shove. In the end I think that it's a
satisfactory outcome, but to me it's like they build up things to a
certain level, stay there and somehow can't bring the greatest moments
all the way out to my speakers.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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