Horna Askel Lähempänä Saatanaa
|
Published March 11 2013
|

*=Staff's pick
|
Alku
Askel Lähempänä Saatanaa
Kunnia Herralle, Kuninkalle*
Kuolema Kuoleman Jälkeen
Yhdeksäs Portti
Ei Aikaa Kyyneleille
Kärsimyksin Vuoltu Hänen Valittuna Äänenään*
Aamutähden Pyhimys
Pala Tai Palvele*
Ota Omaksesi, Luoksesi
|
Genre |
Black Metal |
Spellgoth
|
Vocals
|
Tracks |
10 |
Shatraug
|
Guitar
|
Running time |
48 Min. |
Infection
|
Guitar
|
Label |
World
Terror Committee |
Hex Inferi
|
Bass
|
Release |
08 March 2013 |
Vainaja
|
Drums
|
Country |
Finland |
-
|
Keyboard
|
Producer |
- |
|
|
Similar artists |
Behexen,
Sargeist, Watain |
|
The Tampere black metal scene with bands like Sargeist,
Behexen, Horna and Satanic Warmaster has been one of the worlds
most vital during the 21st century. Last year Behexen really upped the
ante for the entire scene with the monumental Nightside Emanations.
So do Horna pick up the gauntlet thrown and step up for the challenge?
Well, the answer is both yes and no. Except for the Bathory-esque
Sotahuuto Horna has left me fairly unimpressed in the past.
The music on Askel Lähempänä Saatanaa (roughly
One Step Closer to Satan) however shows the band stepping up a notch.
The drumming is tight, the vocals haunted with agony and the production
suits this type of black metal very well. Shatraugs atmospheric
riffing is the true standout of this album though giving it a good flow
and a, for lack of better words, groove, especially during the slow-tempo
parts of this otherwise high-paced album.
What is truly lacking however, and a necessity for this
type of black metal to reach the greater glory, is memorable choruses.
This causes the songs to somewhat blend in with one another and the
songs where the riffs arent over the top masterful come off as
fillers making the album seem too long. Although, it grows slightly
with each listen.
In summary, this is a fairly solid piece of black metal
unfortunately lacking excellent choruses. The mood and atmosphere of
the music however, shows Horna journeying on an interesting path for
the future.
Performance
|
Originality
|
Production
|
Vocals
|
Songwriting
|
|
|
|
|
|
|
Summary
|
|