Motörhead - Aftershock
|
Published October 23 2013
|

*=Staff's pick
|
Heartbreaker*
Coup De Grace
Lost Woman Blues
End Of Time
Do You Believe
Death Machine*
Dust And Glass
Going To Mexico
Silence When You Speak To Me*
Crying Shame
Queen Of The Damned
Knife
Keep Your Powder Dry
Paralyzed
|
Genre |
Heavy Metal |
Lemmy Kilmister
|
Vocals
|
Tracks |
14 |
Phil Campbell
|
Guitar
|
Running time |
47 Min. |
-
|
Guitar
|
Label |
UDR |
Lemmy Kilmister
|
Bass
|
Release |
21 October 2013 |
Mikkey Dee
|
Drums
|
Country |
England, Wales, Sweden |
-
|
Keyboard
|
Producer |
Cameron Webb |
|
|
Similar artists |
--- |
|
To write a review of a Motörhead album is like writing
the same book a repeated number of times. Surely there are new stuff
present on Aftershock, but basically this is pretty much similar to
what we've heard from the band during the last decade. Lemmy and crew
have even decided to record a bluesy track again, to create some variation
with a song that significantly differs itself from the major part of
the record, which mainly rocks hard in a customary way.
Fourteen songs and a total playing time of forty-seven
minutes equals no time for breathers. Mikkey Dee sets the tone as he
smashes the skins with usual force and I also find his plays vivid,
energetic and vigorous. I wish I could say the same about Lemmy's vocal
performance as well, but I can't. The man never made a name from a strong,
powerful voice that ran on all cylinders, but I guess his age is finally
taking its toll, because his voice seems a bit forced and it lacks potency
and strength.
I've probably listened to this record over twenty times
and I really can't find many kick-ass songs. I like the opener Heartbreaker
and a pair of songs with an older appearance, like Death Machine and
Silence When You Speak To Me. Motörhead is a band that in my opinion
has had a lot of fillers on many albums, but Aftershock seems to have
closed the gates on that all but flattering term and is more a compound
of songs that are satisfactory.
As usual we hear this and that about that this is their
best work ever, etc. In a way, some of those statements are true, if
you look solely at the actual performance. The energy is still present
and so is the will to create and this is their heaviest and meanest
release in two decades. Yet, towards the end, it's the songs' strength
and persistence that counts and with that in mind I hand out 6 chalices
to a good record and I must say that that's pretty much what I expected
from the veterans.
See
also review of: Bad Magic
, The Wörld Is
Yours , Motörizer
, Better Motörhead
Than Dead
Performance
|
Originality
|
Production
|
Vocals
|
Songwriting
|
|
|
|
|
|
|
Summary
|
|