Slipknot - .5: The Gray Chapter
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Published October 24 2014
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*=Staff's pick
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XIX
Sarcastrophe
AOV*
The Devil In I*
Killpop
Skeptic*
Lech
Goodbye
Nomadic
The One That Kills The Least
Custer
Be Prepared For Hell
The Negative One
If Rain Is What You Want
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Genre |
Heavy Metal |
Corey Taylor
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Vocals
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Tracks |
14 |
Jim Root
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Guitar
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Running time |
64 Min. |
Mick Thomson
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Guitar
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Label |
Roadrunner
Records |
Jim Root/Mick Thomson
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Bass
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Release |
21 October 2014 |
Shawn Crahan/Chris Fehn
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Percussion
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Country |
USA |
Craig Jones
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Keyboard
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Producer |
Greg Fidelman |
Sid Wilson
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Turntables
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Similar artists |
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(It is believed that Alessandro Venturella and original
bandmember Donnie Steele play the bass and that Jay Weinberg plays the
drums on this recording, but this issue still remains unconfirmed at
this point.)
Slipknot's first record without two of the most essential
members in the past, the sacked drummer Joey Jordison and the deceased
bass player Paul Gray. I initially and honestly must openly declare
that I'm definitely no expert of the band's music. Frankly I've never
been a big fan of Slipknot's past efforts whatsoever. Although I indeed
have listened to most of their records repeatedly, the band's music
has always come out as too turbulent and a little too chaotic to appeal
to me in a way that I find awesome, even if it has its moments of crushing
material.
To make things a little simple, you can always claim that
the band in this day and age is getting more and more intertwined with
Stone Sour or at least that some small things are borrowed from that
band. Naturally they are affected by each other since the lead vocalist
Corey Taylor really is a potent factor in both constellations. This
matter is something that I welcome nonetheless, although both bands
overall distinctively still differ in type of music. I undoubtedly feel
stronger for the songs with melodic elements and with some kind of hit
potential within the masses, like The Devil In I and my personal favorite
Skeptic.
As you've already figured out I never really saw the essence
in Slipknot's music with noisy signals or the accuracy in their approach
to create a blasting turmoil, but I still have to make known that The
Gray Chapter actually has something that is able to root out those thoughts
to some extent. It's definitely a satisfying effort, although it eventually
doesn't have the capacity to really take control over my personal musical
cravings. I however certainly believe that fans to Slipknot's two latest
albums still should have a go at the band's first record in over six
years.
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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