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|Wednesday| - |Thursday| - |Friday| - |Saturday| In Union We Stand2011 saw the twentieth anniversary of a festival that now has become one of Sweden's biggest festivals and further a well-established event and a solid festival with a good reputation that is well deserved. 1992 saw the start of a little festival in Karlshamn that didn't particularly focused on the same kind of music the festival does nowadays, the years passed as the festival grew and in 1998 it moved to the location where it is held now and the name Sweden Rock Festival was a reality a year later and now it started to grew within the hard rock and metal community. Personally it was my tenth consecutive year at the festival and I have seen it grow from a two day event to a four day festivity where the number of spectators has grown from 10.000 up to the 33.000 that has been the maximum capacity the last years. For every year the festival has become better and better in all aspects, well, musically is hard for me say as that differs from person to person, but the organisation around it all with the area in itself, beer-tents, food bender, toilets and such things keep improving and tell that Sweden Rock Festival is an happening that is very much alive and well. //Thomas
Reviews by Thomas/David/Tobbe/Mozzy Wednesday - June 08Band: Necronaut ~ By Mozzy All make good performances, and the songs from the fine album are very
well represented live as well. Still, Danielsson's fiery delivery on Returning
To Kill The Light stands out a bit extra, and it's also a treat to witness
Andersson bashing the drums again, on The Lie In Which The Truth Is Buried.
That's also where we get Estby himself on vocals, proving to be a capable
singer too. Overall, it is most apparent that all musicians are having
bags of fun and are eager to do their best and put on an entertaining
show. This it sure is, not only because of the music but also the performers'
talent and ambitious effort. The conclusion of the show is performed in
style indeed: all participants take the stage, with Andersson on drums,
to deliver a storming cover version of Death's classic Evil Dead, taking
turns singing and headbanging enthusiastically side by side. Fucking brilliant!
This was a truly memorable concert, and if it was Necronaut's only live
performance ever, Estby and friends made themselves proud. 8 chalices of 10 (sorry, no setlist) Band: Hardcore Superstar ~ By Tobbe As I was standing there with my rain coat wrapped around me and a pair of wet sneakers on my feet, the intro came out of the speakers, followed by the first song of above mentioned album, Kick On The Upperclass. Just as promised they played all twelve songs in a row and it really was a magic moment. With Vic Zino on guitar they have a perfect match to lead singer Jocke Berg, making this band jump to another level. All songs are played with a Rock N' Roll vibe and people in front of the stage enjoys every moment. Luckily for us the rain stopped about halfway through the show. After a quick intermission the band plays seven straight songs from their latest release, Split Your Lip, kicking off with Sadistic Girls, making this feel like a new start on a different gig. Hardcore Superstar gets better and better for every gig they play and I will definitely see them again as soon as possible. 9 chalices of 10 Setlist: Thursday - June 09Band: Queensrÿche ~ By Thomas For me more songs from Operation: Mindcrime would have been appreciated,
as for most people there I suppose, but then they somewhat balanced it
all up with Real World that is a forgotten gem and also with a real killer
version of Empire, if all had been like that I would have been as ecstatic
as this band have been able to make in the past. Their new album judged
by the two songs performed here does not seem to be anything less but
a great disappointment, Getting Started was nothing but a bracket and
All Around The World was nothing but the worst kind of "save the
world" kind of ballads, not flattering at all for this band. 4 chalices of 10 Setlist: Band: Accept ~ By Tobbe Just like this past year Accept is still not afraid to play a lot of songs from their latest release, Blood Of The Nations. This show starts up with the monster, Teutonic Terror, which sets the pace for the whole show. The crowd is connecting with the band right from the start, which is an easy task this last year, due to constant happy faces up on stage. Wolf and Peter never played better and have probably never been happier up there. Mix this with hits like Metal Heart and Bulletproof and you get what you came for. On a festival I was expecting a bit fewer new songs and a more hit oriented set and at the end of the show, when a pair of new songs are being played, you could see people turning around and starting talking to each other, taking focus off the stage. This was however a great gig, showing that Accept will be with us for a long time. 8 chalices of 10 Setlist: Band: Gwar ~ By David 3 chalices of 10 (sorry, no setlist) Band: Saxon ~ By Mozzy The show starts, though, with the opening track from Call To Arms, Hammer Of The Gods, which represents that fine new album well. After two Saxon classics, Heavy Metal Thunder and Motorcycle Man, we get another newie, Back in ´79, which in truth is quite an average song. Still, its lyrical theme sets the mood nicely ahead of the nostalgia trip to come. The performance of the Denim And Leather album is delivered in two parts, with four songs each, in order to save the title track plus Princess Of The Night for later. Fire In The Sky and Midnight Rider, according to Biff, haven't been played since 1982, while during the second segment other rarely played tunes are performed. To be honest, some of these numbers do not belong to the greatest Saxon tracks, but it is nonetheless a treat to hear them. As for the remainder of the set, one just has to inspect the setlist - classic anthems almost all of them. With songs like these, a Saxon concert always turns into a terrific,
fun party and a celebration of classic heavy metal. The audience gives
a warm response with singalongs aplenty. But what's also makes this so
brilliant is that the band playing the songs is still so bloody good.
Biff Byford continues to be one of the best frontmen there is, oozing
stage cool, experience and authority in abundance. Madman Nibbs Carter
on the bass, meanwhile, is as usual entertaining to watch, being hyper-charged
with energy and wildly whipping his locks around. And musically, Saxon
again prove they are a most proficient live band, very tight as a unit.
They sound vital, which is the case with Byford's voice as well. Coupled
with the singer's energy and enthusiasm onstage (and long mane), it seems
that he hasn't aged a bit over the last couple of decades. There can be
no doubt this will be continue to be a house band at Sweden Rock for quite
some time yet. 7,5 chalices of 10 Setlist: Band: Judas Priest ~ By Tobbe Five minutes before announced time they start the show with Rapid Fire and Metal Gods. Rob Halford's stage presence is there again, walking around and making eye contact with the crowd. Just as promised they play songs from every album and hearing songs like Never Satisfied och Starbreaker for the first time live really gave me the goosebumps. They play a lot of old favourites and with a setlist like this I don't think anyone even cared about K.K.'s departure, especially when his replacement look just like him, but some thirty years younger. Ian Hill stands in his corner as always and during the song Prophecy, Rob gets his Nostradamus vibe back again, just facing the floor without any crowd contact. No wonder why last tour got bad reviews from everywhere. This was the only black spot in an awesome performance and it however gave me a chance to find the bar. The rest of the show was a parade of hits and an hour later I was near exhaustion. Judas Priest is back at the top where they belong. 10 chalices of 10 Setlist: Friday - June 10Band: Agent Steel ~ By David 8 chalices of 10 Setlist: Band: Mr Big ~ By Mozzy And when it comes to the abilities of the same individuals, they are of course known as some of the biggest virtuosos in the business. Bassist Billy Sheehan especially is great to watch with his busy, jaw-dropping work on his instrument, which does not stop him from constantly jumping about and throwing shapes onstage. He forms an absolutely amazing rhythm duo with drummer Pat Thorpey, who is not as noticeable but who holds a steady, marvellous groove. Guitarist Paul Gilbert does not show off that much, but nevertheless makes it looks ridiculously easy to deliver top-notch guitar work. The frontman then, Eric Martin, seems to have not his best day singing-wise, at least not initially, but does a fine job nonetheless, also working the crowd as the pro he is. As for the solo spots, always a standard for this band and its much-gifted musicians, they fit in fine and are not dull as is sometimes the case with other bands. Both Sheehan and Gilbert demonstrate their dazzling skills in an entertaining manner and without going over the top. After an awesome version of Addicted To That Rush, it is then time for
Mr Big's most famous song to end it all. A song that has been ridiculed
by some, and a song that often has come to be, wrongly, synonymous with
Mr Big's music. All the same, To Be With You, in its simplicity, is also
a revered tune among many, and it sure gets the masses to sing along in
full voice. It is a brilliant, cheerful conclusion to a most pleasurable
and appreciated performance by Mr Big. 8 chalices of 10 Setlist: Band: Iced Earth ~ By Thomas With a pretty fine setlist Iced Earth delivered more than well and it
was obvious that they surely enjoyed their time on stage and really gave
it all. This was one of the concerts when you just felt you wanted more
and more as they delivered the next great songs after the other spanning
over most of their discography. Iced Earth did a solid and splendid performance but the icing on the
cake was undoubtly The Something Wicked Trilogy with Prophecy, Birth Of
The Wicked and The Coming Curse, this made Iced Earth's concert one of
my top three performances this year. 8 chalices of 10 Setlist: Band: Alien ~ By David 6 chalices of 10 Setlist: Band: Down ~ By Thomas This was a strong display of power Down showed up with a really powerful performance with an immense energy produced on stage that further infected the crowd. The bulldozer attack was led by Anselmo that sung both with aggression and affection while he was flanked by Pepper and Kirk that was ripping everything. Perfectly backed up by Jimmy Bower behind the drums and bassist Patrick Bruders (like Kirk also to be found Crowbar) that was replacing Rex Brown as his whereabouts in Down seems to be a bit undefined at the moment. Apart from delivering a massive attack from stage they were going with the flow and they also found time to joke around and further add some improvised moments while connecting with the crowd. It was easy to see that nothing was rehearsed but the songs and in between Anselmo went with the flow and improvised as he connected with the audience, no "hello Sweden, are you ready to rock?" standard clichés to be found anywhere. Perhaps one might think that Anselmo talked a bit too much between the songs with no direct goal, but you felt that they were there in the now, not just ripping of the songs and then only to leave the stage like an everyday gig, this was an exchange of energy from the band and the audience. Although they could have squeezed in one more song or two, but I would not change anything, this was close to perfection according to performance, connecting with the audience, improvising and of course, a fine selection of great songs. 10 chalices of 10 Setlist: Band: Mustasch ~ By Tobbe This show was no exception. The show's opener is Double Nature, one of their biggest hits in their native Sweden, followed by a couple of new songs. This start was far from the best I've seen with them, but when Down In Black is played early in the set, I wake up again. They still play a set based on their best of-album, released earlier this year and people down on the ground seems pleased with their choice of songs. Songs like Bring Me Everyone, Parasite and I Hunt Alone are great songs,
which go down well. I however felt that Mustasch played it safe tonight,
without taking any risks. Their latest single, Angel's Share is well received
by the crowd, but to close the show with Black City was not something
I hoped for though. 6,5 chalices of 10 Setlist: Band: Stryper ~ By David Most of the set was otherwise built on their masterpieces Soldiers Under
Command and To Hell With The Devil. But a few nice pieces were picked
from other releases as well, such as All For One, Loud 'n' Clear and Murder
By Pride. Nevertheless they could easily be more daring when choosing
songs. Nevertheless the mood was high and the people shouted, applauded
and picked up thrown out bibles as crazy. The gathered Swedish christian
metal elite, with Ulf Christiansson (Jerusalem) and Christian Liljegren
(Golden Resurrection, Divinefire, ex-Narnia) seemed pleased as well. 8 chalices of 10 Setlist: Band: Rob Zombie ~ By Mozzy The stage is decorated with large images of famous horror film characters and skeleton microphone stands. Following a cinematic intro, the band come out wearing their own individual masks, which looks quite scary. Overall though, the performance does not really involve anything particularly scary. On the contrary, it has an aura of self-distance and humour, which is refreshing, and the aim is simply to entertain the masses. All of a sudden, beach balls are thrown into the crowd - quite a contrast to the horror theme, but it is proof of that relaxed attitude that characterises the show. Displaying the same attitude himself, Zombie also works hard as a frontman, constantly running around onstage and regularly jumping down to the barriers to excite the ones at the front. Great stuff. His repertoire also includes some very original and cool dance steps which are very entertaining and fit the mood of the music. On the other hand, his singing, although he is not regarded as a magnificent singer as such, is far from perfect. He sometimes seems a bit out of breath to be able to deliver every vocal line, but then again he is works hard physically. Although the set includes some great anthems, Zombie does not really
have that many of them at his disposal. That's not to say there are any
bad songs aired, though. It is indeed a solid set that delivers a tremendous
swing and groove, but it does not really take off and become brilliant,
not even during the hits. This also definitely has to do with the fact
that far from everyone at the Festival Stage know all the songs. Also,
at the end, it feels like the band almost deliver their encores just because
they have to, not showing any real enthusiasm. And even then, they don't
play for the whole of their agreed time.All in all, though it does not
quite live up to expectations, this is for the most part an entertaining
show by a true entertainer, and it was a pleasure just to get the chance
to witness a show by the horror-obsessed multi-talent and cult figure.
However, it is a sure bet that the Rob Zombie experience comes across
much, much better at an indoors show, with his own, complete stage show. 6,5 chalices of 10 Setlist: Band: Helloween ~ By Tobbe The first three songs of the show makes the people on the ground go wild, but unfortunately they have decided to fill the above mentioned space with a guitar solo, a drum solo and another song from their latest album, making the crowd yawn for a while. Solos on concerts, and especially on festivals, can really ruin the moment. Apart from that they play a lot of songs from the Keeper Of The Seven Keys albums, including a fourteen minute medley of the three long Keeper songs, which is just as great as it was in Falun. Future World and I Want Out again includes those long singalongs, which
are too long for keeping the people's focus on the stage. However, this
was a good gig when they actually played and if they had skipped the solos
and cut the singalongs, it would have at least gotten one more chalice.
Andi Deris is a great frontman who once again did a great job and at this
point no one should question his status in the band. 7 chalices of 10 Setlist: Band: Overkill ~ By Thomas The selection of songs was a good one, but in my opinion there where a lot of obvious songs that was missed, but you can't get everything as always. But we did get to hear some rare tracks that hasn't been featured on any album, a couple of old demos in the shape of Deathrider and The Beast than came out extremely well if even they were from the bands early days, great fun to hear those. Blitz is a frontman with integrity and an amazing and extraordinary voice that you just has got to love and in combination with the pounding bass from D.D. Verni that is to die for they put the thrash from Overkill in the absolute front row among thrash bands according to me, and furthermore, they have the capability to deliver live better than most bands. Overkill has apart from drummer Ron Lipnicki had a solid setting in the
band for about ten years now and they have become an extremely tight outfit
where Dave Linsk and Derek Tailer performs an excellent attack on their
guitars. Many great songs where delivered but In Union We Stand and Elimination
was the two biggest highlights in a set that you wished would have lasted
at least for another hour. It was awesome to see and feel the intensity
on stage and to see that there still is hunger in their eyes after all
these years, awesome. 9 chalices of 10 Setlist: Band: Whitesnake ~ By Tobbe The show starts with a couple of songs which everybody is familiar with. So far so good. Then this show turns into something of the worst that has ever been played on the grounds of Norje. First three songs of the latest album, Forevermore, which actually are good songs, but ninety per cent of the crowd have never heard them. Then a seventeen minutes long guitar solo. Yes, that's right. A seventeen minutes long guitar solo! This solo is followed by another new song, which after a pair of minutes is interrupted by a drum solo. This part of the show is about 45 minutes long and a lot of people left the festival area. When we think we are about to wake up from this nightmare we get Ain't
No Love In The Heart Of The City. A slow and bluesy song which had been
good if they have played it somewhere else in the set. Now it just works
as a potential wake up call. Three classics ends this show and finally
I saw what Whitesnake can achieve. If it wouldn't have been for the start
and the end, this show would have gotten an even lower rating. 3,5 chalices of 10 Setlist: Band: Ghost ~ By David 5 chalices of 10 (sorry, no setlist) Saturday - June 11Band: Raubtier ~ By David The people was not just curious about a hype, they already loved every song, knew every lyric and sang happily along to the harsh party industry from Norrbotten. Hulkoff didn't seem to believe his mole eyes, when he saw and heard the response. But he instantly knew how to use it. The highlight was reached in Änglar, the definite soundtrack to the taste of Armageddon that is Sweden Rock. Unfortunately, 45 minutes passes too quickly when having fun, and although Raubtier are just on their second album, they already have hits enough to fill much more. So Skriet från vildmarken was severely missed and the stage crew wouldn't even let the band finish with their greatest hit, Kamphund, although almost all the people stood their ground and demanded it. 8 chalices of 10 Setlist: Band: Rhapsody Of Fire ~ By Thomas Even though compared with other acts at the festival it was perhaps nothing out of the ordinary although it was an energetic and forceful performance they did as the entire band seemed to be inspired as the good solid effort echoed in my head for some time afterwards. Luca Turilli is to me the star of the band and he is a guitarist extraordinaire that every once in a while dazzled me with his impressive guitar-playing, as did Alex Staropoli behind the keyboard and at these times it was highly enjoyable. Fabio Lione has a great voice, and even growls are in his repertoire nowadays, but he seriously needs to work on his English accent. Or has his English skilled improved, as they ought to have over the years, but as he sung like that in the beginning it has become his trademark that he has to continue with? Nevertheless it was too much of ups and downs to make an impressive impression on me and with the operatic part in Lamento Eroico it simply became too boring and the borderline pretentiousness just took a long step over the line in my ears. Honestly I must say that I had lost track of the band, but this performance indulge me to further dig into them once again. Finally, what strikes me as funny is that they didn't play one single song from their latest album From Chaos To Eternity that was set to release just a little more than a week after the festival. Wouldn't this have been a great opportunity to showcase at least one or two new songs, especially since the new album is good. 5 chalices of 10 Setlist: Band: Rage ~ By Tobbe After a slow start with Lord Of The Flies, this gig reached higher levels. They nailed almost all the songs and I was delighted to see these new acoustic versions of songs that I thought was long forgotten. There's no reason to go through each song as they all had their special moments. Just to see and listen to Victor Smolski's guitar is something out of this world. He plays things on his acoustic guitar that are even tough on an electric one. Songs like Empty Hollow and Days Of December, much to my surprise, even sounded better played unplugged. Victor once again showed his skills on string instruments when he picked up a cello called Mrs. Smolski on All This Time. You could easily see that the band had a good time on stage as there was much laughter. We even got an improvised one minute version of Don't Fear The Winter and as so many times before, they closed the show with Higher Than The Sky. We all left with a smile and when I came back to the stage over ten minutes later, there still were a bunch of people in front of the stage still singing the chorus of that last song. 8 chalices of 10 Setlist: Band: Thin Lizzy ~ By Mozzy No matter how well-known the names above are, it is of course impossible to ignore the fact that Lizzy's leader, the late, beloved Phil Lynott, is absent, for obvious reasons. Therefore, many eyes are on Warwick. The former The Almighty man is of course no novice, working hard and competently in his role as a frontman. As for the vocals, he does not really try to copy Lynott's voice that often, but being a fellow Irishman he also shares some characteristics in his voice. Having Sykes on vocals in a way felt more genuine, as he was part of the last Thin Lizzy line-up, and he also did his best to imitate Lynott's voice. Still, although it is an understatement to say that he has a difficult task, Warwick definitely does a good job, using his own character and strengths when interpreting the classic songs, and being dynamic onstage, also as a third guitar player at times. As for the other members, Fortus fits in well and sounds impeccable in tandem with Gorham. The big plus, though, is the man behind the drums. With Tommy Aldridge, the band had more of a heavy metal edge, which was rather cool as well. However, with Thin Lizzy's classic drummer Brian Downey back in the fold, it has a clear effect in that it sounds much more like the 70's Lizzy again, with Downey's recognisable, very appealing approach; a more laid-back and tasteful playing which offers a superb groove. It is indeed quite hard to figure out how to judge today's Thin Lizzy. Without Phil Lynott, it simply isn't the same Thin Lizzy, and the band could never have the same appeal and charisma that it had during the classic era. At the same time, just look at the songs below: how could it not be enjoyable to be served such fantastic, timeless rock songs live? The crowd, a surprisingly massive one, greets the band warmly and many happy faces can be seen when classic after classic can be heard. As a tribute to the wonderful music, and Phil Lynott (who is saluted from the stage, just like Gary Moore), there can really be no wrong in going out and play these songs and give Lizzy fans an evening of joy. 6,5 chalices of 10 Setlist: Band: Ozzy Osbourne ~ By Tobbe The intro starts five minutes early and Ozzy and his band welcome us with I Don't Know. Ozzy is in a good mood as usual and he does his best to wake up the audience, who are a bit weary after four days of Heavy Metal and alcohol. The show starts with four straight songs off Blizzard Of Ozz and with such great songs, it's hard to do nothing but a great show. A couple of more great songs are played and then we have to suffer through fifteen minutes of solos and jams. We of course all know that Ozzy needs his rest, but voices were heard that the crowd is there for Ozzy and not his band. About an hour into the show we get the first Black Sabbath song and we are back on track again. Still the audience is pretty lame though and even if Ozzy's trying real hard to get the crowd crazier, it does not work this time. Ozzy's voice is working just fine from time to time, but sometimes you hear that all those years of substances have taken its toll. This was a good performance and Ozzy's band are true professionals who know how to play all these old songs. 7 chalices of 10 Setlist: Mama I'm Coming HomeFour days pass so damn fast while you are at the festival, and you are exhausted by all impressions (and alcohol) you have taken in during the time flown by when you leave the area late at the final day. Then you need a little time to sieve through what you have seen, heard and been through, and further time to recover. I kid you not when I say that the worst week of the year at work is the one after the festival, fatigue is the word that summons up my feelings by then. A new food area expanded the festival this year; a great thing that made you able to slip away from the maddening crowd at times for a calm beer or whatever. And another festival went by without any major mishaps that I know of, ten years I have been there and not one single fight have I seen. The mood and ambience is nothing but friendly, and you simply cannot not have a good time visiting the festival. The only thing that I question is what headliner is left to play at the festival? It seems like practically every band suitable for the task have been there, and with this year's line-up, Judas Priest and Whitesnake had headlined before while Ozzy was the only newbie. Bands like Metallica, Iron Maiden and AC/DC seems to be too big still to be headliner as they would sell out larger venues themselves, and bands like Ozzy, Judas Priest, Deep Purple will not be around for much longer while acts like Slipknot perhaps does not fit in the concept, yet. Still, In Flames has done the task with the honour so who knows how the festival will develop. But what else is left? Bon Jovi? Van Halen? Rush? And then what..? //Thomas Related links: www.swedenrock.com |