Reviewed by David
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Hagshult, Sweden
120 Min.
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Jerusalem
It's not easy being a fan of Jerusalem. The villages they play in just
get smaller and smaller. This time it was in Hagshult, deep in the dark
forests of Småland, Sweden. The village only God remembers
On top of that, the arena appears to be a barn. The stage is made of pallets,
the audience sits in church benches and the "warm-up act" is
a dull Free Church pastor. One could perhaps say that these conditions
were not the best for a good rock concert. But in spite of all that, the
barn starts to fill up with people. Jerusalem still has faithful fans
that look up all these small places where the band apparently loves to
play. And new generations are added continuously to those fans.
An then, when Introduktion rolls out - with surprisingly good sound,
the smoke rises and the small lighting rig starts to work, it actually
totally rocks! It is the "older" setting of Jerusalem that is
out playing this summer. (It must be the only band I know that exists
in two official settings at the same time. Both are of course led by singer
and guitarist Ulf Christiansson, but with alternate bandmates.) Christiansson
still has the best rock voice in Sweden! Klas Anderhell seems to have
survived touring with the old pop/rock/dance-band Sven-Ingvars - the drumming
is powerful! Then one can overlook that Dan Tibell is not the most exciting
personality on stage behind his keyboards. The last member is not as usual
Anders Mossberg, who apparently has other things to do. For some reason
it is not the natural stand in from the other setting of the band, Peter
Carlsohn, either. Instead it is the huge Norwegian Lewi Bergsrud who hammers
the base this evening. He does it with great skill, although he is seen
quite many times to be looking skeptically in his music-stand.
As usual it is disappointing that Jerusalem not seems to be content with
playing any songs from their best record, Dancing On The Head Of The Serpent.
But that almost doesn't matter when they have such an incredible treasure
of other songs to chose from. Classics like Pass På, Moderne Man
and Noa mix with fresh Rip My Heart Out from Ulf's latest solo album and
some songs from the latest "real" Jerusalem album, Prophet (that
actually is ten years old now
). Everything is remarkably tight,
with the exception of some hesitations from the stand-in Bergsrud.
But a Jerusalem-concert is more than the music. The thought hits me that
Ulf is the christian answer to Joey DeMaio. As soon as he starts talking,
it is with heat and passion and there seems to be no end
Ulf is
a radical man, who does not like to compromise with his faith. I guess
he should have credit for that in some way, but I also think it threatens
people. That is perhaps the reason why Jerusalem plays in a barn in the
woods instead of at Sweden Rock Festival. It seems like they want it to
stay that way, which is sad. Isn't it better to bring a positive message
to a larger crowd, than to blame a bunch of mostly already believing people
for not living enough for God?
But with all the preaching done, God's joy is again spread through pounding
hard rock. It is probably the first time I literally have experienced
the roof lifting during a concert. The tin roof bangs the rhythm to the
heavy bass in Soldier. Perhaps the end of the concert was too soft, but
"The Flower" gives me goose-flesh and moist eyes every time.
I was expecting Ajöss Med Dig Värld as a perfect finale, but
instead the seldom-played Jag Behöver Dig became the last song of
the evening. An evening that I think left no one disappointed.
SETLIST
Introduktion
Pass På (Wake Up)
Moderne Man (Man Of The World)
Sorgsnas Parad (Mourner's Parade)
Krigsman (Warrior)
Pappa Vem Har Gjort (Daddy Who Has Made)
Rip My Heart Out
It's Mad
Ständig Förändring (Constantly Changing)
City On Fire
Risen
Noa
Soldier
Jag Vill Ge Dig En Blomma (A Flower)
Jesus, Lover Of My Soul
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Jag behöver dig (I Depend On You)
Related links:
www.jerusalem.se
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