Judas Priest - Redeemer Of Souls
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Published July 28 2014
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*=Staff's pick
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Dragonaut
Redeemer Of Souls
Halls Of Valhalla
Sword Of Damocles
March Of The Damned
Down In Flames*
Hell & Back
Cold Blooded*
Metalizer*
Crossfire
Secrets Of The Dead
Battle Cry*
Beginning Of The End
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Genre |
Heavy Metal |
Rob Halford
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Vocals
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Tracks |
13 |
Glenn Tipton
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Guitar
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Running time |
62 Min. |
Richie Faulkner
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Guitar
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Label |
Sony
Music/Columbia |
Ian Hill
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Bass
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Release |
11 July 2014 |
Scott Travis
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Drums
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Country |
England |
-
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Keyboard
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Producer |
Mike Exeter, Glenn Tipton |
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Similar artists |
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Judas Priest's seventeenth studio album, six years past
the release of its predecessor Nostradamus, which concept with a lot
of intermissions and intros wasn't particularly suitable for this band's
catalogue. Naturally most metal fans wish that Judas Priest would hit
it big-time again, similar to what was achieved in the past and I too
would want to shout out that "The Priest is back!", but at
the end of the day this fabricated romance ends up in the world of dreams.
What we instead get is an engine running more or less
at idle. Ignited, yet not really fired up to create a blast. Even though
a fair share of the record has its moments, it somehow feels a little
too dark for its own good and focus is generally fixed too much on heavy
stuff and compression. Certainly the classic riffing is present and
so is the melodic atmosphere as well, but unfortunately the latter comes
to light in way too few songs. Rob Halford's voice is, as everyone already
knows at this point, just a shadow of what it once was, but it is what
it is and what we have now is after all not a bad effort when comparing
to many other heavy metal vocalists.
I like it when they are able to find melodies over a solid
groove as in the track Down In Flames and when they build songs up with
Halford's voice over a riff and a simple beat, like in Cold Blooded.
Yet I would like to demand something additional by this band, considering
the milestones once produced. Of course one shouldn't rate something
in tunnel vision just because a band is well known, but it's also about
what you can expect from such a great band.
This record lacks vivacity, curiosity and youthfulness
overall, which on the other hand isn't that strange considering Judas
Priest has released albums for almost forty years. It's nevertheless
a rather good album, worth 6 chalices, but as you will figure out when
you listen to it, something's not really there to push the album to
the breaking point of a climax.
See
also review of: Nostradamus
, Angel Of Retribution
Performance
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Originality
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Production
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Vocals
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Songwriting
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Summary
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